‘As Long as They Can Blow’: Steve Provizer on Interracial Jazz
Roger Kimmel Smith
March 31, 2024
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Vol.3, No.12 December 2018
Kat Edmonson’s New World of Vintage Pop, by Brian R. Sheridan
Ray Templin: From Shakey’s Pizza to Disneyland, by Lew Shaw
Runnin’ Wild at Réveillon, by Russ Tarby
The Sultans of Swing: Ulysses Jasz Celebrates 20 Years, by Fred Nadis
Jacksonville’s First Couple of Jazz: Lisa Kelly and J.B. Scott, by Russ Tarby
The Harlem Renaissance: Historic Jazz Clubs, by Lew Shaw
Jazzin’ Around: Jazz, the Great War, and the Armistice, by David Sager
Dvořák at Carnegie Hall: Celebrating 125 Years, by Joe Bebco
Static from my Attic: Please Forward… if Possible, by Andy Senior
Jazz Birthday of the Month: Connee Boswell, illustration by Gary Price
Jazz Travels: The NY Hot Jazz Festival, by Bill Hoffman
Quarter Notes: October in NOLA, by Shelly Gallichio
Profiles in Jazz: John Kirby, by Scott Yanow
The Fire This Time, by Randi Cee
Festival Roundup, compiled by Andy Senior
Blowing off the Dust: Sue Keller, by Larry Melton
The Professor is IN: The Misery of Jazz, by Adrian Cunningham
Final Chorus, compiled by Joe Bebco
CD Review: Standard Deviations, by F. Norman Vickers
Nights at the Turntable, CD reviews by Scott Yanow
The Syncopated Bookshelf: Outside the Jukebox, review by Joe Bebco
Eli and The Chocolate Factory Keep the Dancers Moving, by Marek Boym
Dan Levinson Octet at the Bickford, by John Herr
Off the Beaten Tracks, CD reviews by Joe Bebco
How to Cake Walk, by Aida Overton Walker (1903)
From The William Shakespeare Jazz & Swing Festival
Sherrie Maricle’s DIVA Jazz Orchestra [Photo Gallery]
