Eric Comstock and Barbara Fasano have created something truly special with their new album, Painting the Town. Celebrating two decades of marriage and a deep love of their hometown New York City, this record—their first together—is a captivating blend of pre-war cabaret, Broadway, jazz, and pop that evokes a nostalgic yet fresh atmosphere.
Right from the opening track, listeners are enveloped in the undeniable chemistry that the multi award-winning Comstock and Fasano share. Their voices blend beautifully, highlighting their individual artistry while also showcasing the deep bond they’ve developed over years of collaboration and wedded bliss.
Comstock’s melodic and jazz-inspired piano playing and vocals pair seamlessly with Fasano’s enchanting Broadway approach, creating a rich soundscape that draws you into every track. The addition of Sean Smith on bass and Vito Lesczak on drums provides a solid rhythmic backbone. You can tell this group has worked together for some time honing their musical interaction in live settings like Birdland.
One of the highlights of the album is their interpretation of Cole Porter’s “Just One of Those Things.” This classic not only lends its title to the album but captures the essence of their journey, with its clever lyrics reflecting the complexities of love.
Another standout track is the poignant “Marcie” by Joni Mitchell. The duo displays their remarkable ability to breathe new life into familiar pop songs, infusing them with fresh emotion and insight with Fasano on vocals and Comstock at the piano.
The album is further enriched by the legendary tenor saxophonist Houston Person, whose soulful contributions add an irresistible depth. His improvisational skills are an exciting treat, making each track he’s on a wonderful experience—just listen to Person’s fun fills on Jim Lowes’ wry tune “The Hamptons.”
Painting the Town pays tribute to the great and ever-evolving American songbook, featuring the works of celebrated composers such as Irving Berlin, Johnny Mercer, Duke Ellington, Billy Strayhorn, Jimmy Van Heusen, Cy Coleman & Carolyn Leigh, Stephen Sondheim, Carole King, and Paul Simon.
While working in the neighboring studio, Simon himself provided feedback during the recording of his song “Old Friends,” a testament to the authenticity and quality of Comstock and Fasano’s work. They were awestruck as he spent nearly an hour coaching them on phrasing, chord voicings, and instrumentation—guitar in hand—and even offered an altered lyric for them to record.
In a music landscape that can often feel disjointed, Comstock and Fasano exemplify the beauty of partnership and the magic that unfolds when two artists create together. Painting the Town invites listeners to embrace love, nostalgia, and the enduring power of music. This album is essential listening for aficionados of cabaret, jazz, and Broadway, marking a milestone in their artistic evolution.
The record also captures the essence of a bygone era, where the glamour and elegance of New York nightlife comes alive, returning listeners to a time when sophistication and fun danced hand in hand on the city’s vibrant streets. Pour yourself a dry martini, turn down the lights, and let the music transport you.
Visit Barbara Fasano online at barbarafasano.com and Eric Comstock at ericcomstock.net.
Painting the Town
Eric Comstock and Barbara Fasano
Human Child Records
Brian R. Sheridan, MA, is the chair of the Communication Department at Mercyhurst University in Erie, PA (hometown of Ish Kabibble) and a longtime journalist in broadcast and print. He also co-authored the book America in the Thirties published by Syracuse University Press. Sheridan can be reached at bsheridan@mercyhurst.edu. Find him on Twitter @briansheridan and Instagram at brianrsheridan.
