The Piano Solo and the Recording Horn
Historically, many of us have been told that recording the piano in the acoustic era (before 1925) was extremely difficult, and that because of this
R. S. Baker has appeared at several Ragtime festivals as a pianist and lecturer. Her particular interest lies in the brown wax cylinder era of the recording industry, and in the study of the earliest studio pianists, such as Fred Hylands, Frank P. Banta, and Frederick W. Hager.
Historically, many of us have been told that recording the piano in the acoustic era (before 1925) was extremely difficult, and that because of this
When looking through acoustic era recordings, it can be easy to assume that the more common songs we see must have sold well in sheet
In the beginning of recording, among the first things to be recorded regularly were orchestras. Recording so many different instruments was perfected and improved upon
There were several recording stars in the 1890s and early 1900s who were known for performing ragtime songs, but one of the most famous of
Studying history often comes with an inevitable fact that we will never be able to communicate with the people we are interested in. As frustrating
Between the 1820s and the early 1890s, the Five Points slum was the most feared neighborhood in New York. It was, however, the most diverse
Musicians who worked in phonograph studios in the acoustic era were basically forced to fend for themselves for pay. The Musicians’ Union as we know
For over eight months, I have lived in the Bronx, specifically the neighborhood of Morrisania. Nothing is quite as exciting and inspiring as living in
In the world of 19th century theater, there were many siblings who made their success by performing together. As the phonograph became a legitimate medium
In the latter 19th century, a few daring publishers decided to try and combine their hustling status with the phonograph. In the 1890s it was
Since I moved to the Bronx back in September, I have been more inspired than ever to write and to draw. Living in the very
In the earliest days of the phonograph, many recording artists were forced to work extra jobs to make a living. None of the workers in
In 1908, a relatively small publishing firm named Seminary Music published a piece called “Pineapple Rag” by Scott Joplin. At this time, Joplin had freshly
In the 1890s, many new technologies were being developed at the same time, and it’s no surprise that many of these fledgling fields would occasionally
In the era of Tin Pan Alley, a few recording artists tried to unite their record making with sheet music publishing. In the latter 19th
Recently, I went back to Medford, Long Island, to revisit the box of papers that once belonged to Fred Hager. While yes, I did go
Just after I submitted the last piece on Jacob Silberberg, within a few days I did some more research and discovered much more on him.
In the realm of studying ragtime history, importance is often given to the banjo, and rightfully so. Some of the best sources of authentic ragtime
When I started pursuing the legendary scrapbook that once belonged to Fred Hager, one of the aspects of this ultimate treasure was a steamer trunk
Back at the beginning of February, when the Northeast experienced a serious cold blast, I went back to New York City for more historical trespassing
Few engineers live scandalous lives, but one emerged in the acoustic era that lived a rather extraordinary life. George Cheney came from a humble background,
Every pianist has their own style, and as we study the accompaniments of the earliest acoustic recordings of the regular studio pianists of the 1890s
With a new year upon us, often we think of what will be entering in its centennial year. In 1923, the Okeh record company went
In the late 1880s Thomas Edison perfected his phonograph, and set up the Edison phonograph works in Orange, New Jersey, and at the same time