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Clancy Hayes, Part Two

Jeff Barnhart: Hal, after a month off, I’m excited to return to the music and vocals of the great troubadour and spreader of joy, Clancy

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Jazz Jottings June 2026

David Robinson has had an impressive and productive career spanning over 50 years as a performing musician and educator while making significant contributions to the

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Juneteenth Reflections

Unlike most normal people, I’ve never been a fan of holidays. I regard Christmas and Thanksgiving with particular distaste, since they’re all about overeating and

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Festival Roundup June 2026

NORTH SHORE JAZZ SUMMIT (Duluth, MN) June 11-13 The Count Basie Orchestra, Stan Kenton Legacy Orchestra, and Buddy Rich Tribute Band—for the first time ever,

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A Little More Pepper

Christina Pepper is a solid pianist and prolific YouTube content creator; since meeting her and attending her symposium at the Scott Joplin Festival in 2023

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Valaida Snow

Valaida Snow was born on June 2, 1904, in Chattanooga, Tennessee. Valaida grew up on the road, performing with her father’s ensemble starting when she

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Daniel Huck

French reed player Daniel Huck, a joyful presence in European hot jazz, died April 25, 2026, in Saint-Christol-lez-Alès, France. He was 78. Born in Paris

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Mike Schwimmer

Mike Schwimmer, a performer, broadcaster, collector, presenter, and historian whose work reached across the traditional jazz and ragtime community for more than half a century,

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The Doris Drew Story

Few listeners today have probably heard of Doris Drew, but in the 1950s she was a rather busy singer. She had a beautiful voice and

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52nd Street Swing

JAZZ CLASSIC OF THE MONTH During 1935-46, 52nd Street in New York was jazz heaven, an area where there were so many jazz clubs housed

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Cornetist Bill Mason (1929-2026)

Jeff Barnhart: Hal, our advertised plan following our month off was to continue our exploration of the music and vocals of the great troubadour Clancy

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Joe Sullivan • 1934-41

JAZZ CLASSIC OF THE MONTH Pianist Joe Sullivan was a superior stride pianist who was most influenced by Earl Hines’ “trumpet style” approach to playing

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