Frederick Hodges and Richard Dowling: Cocktails For Two

Frederick Hodges and Richard DowlingCocktails for TwoFrom the 1920s into the 1950s it was not unusual for two skilled pianists to perform duets of arranged music that, while inspired by the syncopations of jazz, fell into its own category of music. The trend really got going with the piano team of Victor Arden and Phil Ohman in 1924. The tradition of piano duets included show tunes, novelty ragtime, cocktail music, and classical themes, yet was difficult to classify as anything but classy and accessible music.

Cocktails For Two, which features the virtuosos Frederick Hodges and Richard Dowling performing a wide variety of pieces, includes arrangements by Hodges, Jacques Fray, and Cy Walter among others.

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While the playing often sounds improvised, all of the music was written out. Hodges and Dowling dig into such numbers as “Begin The Beguine,” “By The Waters Of Minnetonka,” “Deep Purple,” “The Wedding Of The Painted Doll,” and even a fresh reworking of Bix Beiderbecke’s “In A Mist.” Concluding the program is Mario Braggioti’s amusing and entertaining five-part “Variations On ‘Yankee Doodle’” which is played in the styles of Bach, Beethoven, Chopin, Debussy, and Gershwin.

Sure, it is not technically jazz or ragtime, but Cocktails For Two will be of strong interest to fans of both genres. The brilliant piano playing is a joy to hear.

Cocktails For Two
(Rivermont BSW-2248, 16 selections, TT = 51:35)
www.rivermontrecords.com

UpBeat Records

Since 1975 Scott Yanow has been a regular reviewer of albums in many jazz styles. He has written for many jazz and arts magazines, including JazzTimes, Jazziz, Down Beat, Cadence, CODA, and the Los Angeles Jazz Scene, and was the jazz editor for Record Review. He has written an in-depth biography on Dizzy Gillespie for AllMusic.com. He has authored 11 books on jazz, over 900 liner notes for CDs and over 20,000 reviews of jazz recordings.

Yanow was a contributor to and co-editor of the third edition of the All Music Guide to Jazz. He continues to write for Downbeat, Jazziz, the Los Angeles Jazz Scene, the Jazz Rag, the New York City Jazz Record and other publications.

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