On 19-21 October I attended the - unfortunately "Final" William Shakespeare Jazz 'n' Swing Festival in Kenilworth, England. Music was first class, just like at the previous one I attended in 2016. A wonderful array of stars, in particular in the reeds department: Amy Roberts, Richard Exall, Trevor Whiting, Karl Hird, Sarah Spencer, and Pete Allen. Not that the others were slouches, far from it, but reeds win by sheer number.
The guitarist Jim Douglas (of Alex Welsh fame) has been an internationally acclaimed star for many years. Gary Wood may not be as well known as Alan Bateman, but if does not mean he is not as good.
Allen Beechey failed to appear and was replaced by Jonathan Graham, who also played some excellent guitar. The two trombonists - Mike Pointon and Ian Bateman were both very good, and the former shared with us his memories of Ken Colyer in a programme titled Ken Colyer, Bill Russell and the New Orleans Revival.
All programmes were good, whether they paid tribute to the Hot Club de France, BG, the Creole clarinetists. Hogay, Bix & Bing, or Satchmo, Bechet and Fats (the latter featured the Bateman Brothers with
Pete Allen).
Three shows were not dedicated to any specific stars – the Remarkable Reeds (with
You've read three articles this month! That makes you one of a rare breed, the true jazz fan!
The Syncopated Times is a monthly publication covering traditional jazz, ragtime and swing. We have the best historic content anywhere, and are the only American publication covering artists and bands currently playing Hot Jazz, Vintage Swing, or Ragtime. Our writers are legends themselves, paid to bring you the best coverage possible. Advertising will never be enough to keep these stories coming, we need your SUBSCRIPTION. Get unlimited access for $30 a year or $50 for two.
Not ready to pay for jazz yet? Register a Free Account for two weeks of unlimited access without nags or pop ups.
Already Registered? Log In
If you shouldn't be seeing this because you already logged in try refreshing the page.