When Andy Senior, esteemed editor of The Syncopated Times, and Larry Melton, a frequent contributor to this periodical and a founder of the Scott Joplin Ragtime Festival (celebrating its 51st year this June) both asked me to review a book for this month’s issue, I was surprised. While my two monthly columns, my liner notes for dozens of recorded releases, and my occasional foray into penning lyrics will testify I’m no stranger to the written word, reviewing other people’s work has never occurred to me. When I learned what the publication to be reviewed was, I agreed with them. I knew Max Morath, the man being celebrated in this book, quite well; indeed his encouraging advice and friendship remain paramount reasons why I’m still making a living as a full-time musician, lecturer, and teacher of all American pop music from the 1890s through the 1940s.
Those looking for a detailed history of Max Morath’s life and professional career won’t find it in Loving Mr. Ragtime, and that’s just fine. Author Diane Fay Skomars does include Morath’s self-written obituary—written only because the New York Times repeatedly requested it—and that’s as much factual information about his copious accomplishments we get. Instead, and far more valuable, we receive insights and anecdotes about the person behind the performer from Skomars, who was married to Morath for his final 30 years o
The Rise of a Jazz Vibraphonist: Evelyn Yosmali
Garry Berman
