
A dedicated Syncopated Times reader (who chooses to remain anonymous) came up with a particularly intriguing idea for an article. While the historic jazz recordings of 1917-45 have often been discussed through the years, what about the hot jazz sessions from the past eight decades? Because jazz history books tend
Art Hodes was never the type of musician who complained about not getting enough gigs; he always did something about it. He was a fighter for classic jazz for many decades, not just as a distinctive pianist but in his writings, work on the radio, and on television shows that
The jazz world could use a few more Catherine Russells. Not just because this Grammy Award-winning artist is a wonderful singer, with an appealing sound and a sure sense of swing; but because she takes such great care in her choice of songs, arrangements, and musicians. And her ever-growing repertoire
The old jazz tune, “I’ll Be Glad When You’re Dead, You Rascal, You” is intended to be a funny song about marital infidelity. The cuckold, a comic figure found in literature going back to before Chaucer, is intended to be ridiculed, not murdered. But on November 21, 1931, in Rayne,
In the March 2025 issue of The Syncopated Times, I wrote that Emmett Hardy, Leon Roppolo, and Lou Black honed their musical skills during the 1920 excursion season on the Streckfus steamer Capitol. Arnold Loyacano joined them over the winter in New Orleans. In late 1921, all four played in
Jeff Barnhart: Welcome back devoted readers! This month, we continue our journey through the music and times of the celebrated Boston-based septet The New Black Eagle Jazz Band (NBEJB). Last month I invited trombonist Stan Vincent to join me for part I and he’s with me again. Welcome back, Stan!
If there is any concern among jazz enthusiasts that big band swing is in danger of dying out among the younger generations of musicians, the sights and sounds of this year’s 30th Essentially Ellington competition in New York should put that concern to rest. Created in the 1995-1996 season by
With Mardi Gras, Quarter Fest, and Easter parades over, the city was ready for the Jazz & Heritage Festival and so were we! Two full weekends of live bands from 11:15 am to 7:00 pm for eight days is an exhausting line-up and with high humidity and searing heat, it
When radio became all the rage in the middle 1920s, it was seen as a threat to the phonograph business. Companies like Victor were very nervous when the radio came in, as it seemed that they couldn’t keep up with the constant variety of shows being broadcast. Executives like Eddie
Ray Bauduc was born June 18, 1906, in New Orleans. He came from a musical family: his father Jules Bauduc was a cornetist, his older brother, Jules Jr., was a banjoist and bandleader, and his sister played piano. Early on, Bauduc played drums with bandleader Johnny Bayersdorffer. In 1926, he
A minor change in the schedule format of the annual three-day San Diego Jazz Party in late February resulted in a slight attendance increase for 2025 over 2024. According to SDJP Board president Russell King, “We felt that the traditional jazz party model had been outmoded. We wanted to take
Anyone who focuses on the ragtime, jazz, and swing music of the first four decades, whether performer, listener, or both, is at some point subjected to a comment similar to this: “Oh, so you dwell in the past.” I’m not sure why the music I love to play and listen
I am heartened that the response to last month’s Static column, “Tearing Apart the Arts,” was overwhelmingly positive. I was expecting a flood tide of condemnation, but there was barely a trickle. Here is the trickle: Dearest Andy, It is my belief that most of the subscribers to The Syncopated
Top to bottom, bar for bar, W. Brett Youens’ piano rags are as well-crafted as anyone’s. Kangaragaroo (2009) is in the uncommon rag key of E major and makes playful use of dissonance, as seen in the excerpt pictured. Overall, the piece is bouncy and lighthearted. The music unexpectedly modulates
37th ELKHART JAZZ FESTIVAL (Elkhart, IN) – June 19-22 Since 1988, jazz legends and fans have gathered each summer at the Elkhart Jazz Festival which combines warm, intimate, small-town hospitality with the excitement of big-city jazz. Known as the Band Instrument Capital of the World, Elkhart companies employ nearly 2,000
The stage is set for the 2025 Bix Beiderbecke Jazz Festival; July 31, Aug. 1 and Aug. 2 at the Rhythm City Casino in Davenport. With the same band lineup as in 2024—which drew an overwhelmingly positive response from festival patrons—plus an additional band and a new guest artist, this
All piano players, Jazz Bands, Singers and fans of Swing are invited to play or stream a Thomas ‘Fats’ Waller video between his birthday and DOD. Why, in these trying times, because Fats will put a Smile on every face with his Jitterbug, Jive and Swing! Thomas “Fats” Waller was
George “Doc” Ryan, passed away on May 8, 2025, in Arkansas, just shy of his 96th birthday. Known for lyrical cornet playing and a charismatic stage presence, Ryan led the popular Hot Cotton Jazz Band and performed with luminaries like Wild Bill Davison. Born in Bay Springs, Mississippi, in 1929,
Snook Haven County Park & Restaurant, which hosted the Gulf Coast Banjo Society since 1987, is now undergoing a thorough renovation that will take at least a year. The Banjo Society, which has met each Thursday at Snook Haven from October through May, celebrated one last fling on April 24
Johnny Parth, founder of Document Records, died May 18, 2025, in Vienna, Austria, at 95. His label rescued pre-1943 jazz, blues, and gospel from obscurity, shaping our understanding of music history and making mountains of previously inaccessible material widely available long before YouTube. It harnessed the new CD format to
JAZZ CLASSIC OF THE MONTH Arnvid Meyer (1927-2007) was a trumpeter from Copenhagen, Denmark, who led a swing-oriented sextet during his prime years. He made relatively few commercially released records other than appearing on a 1962 session led by trombonist J.C. Higginbotham, and an album with Ben Webster in 1965.
I’ve been listening to American (and British and Canadian) dance band music for nigh-on 50+ years, and thought for a minute that I had not heard this group before as I did not remember them! Multi-talented producer Bryan Wright has written eloquent and beautifully written liner notes to accompany this
This 2009 compact disc has a lot of exceptional music and performances on it. However, the potential listener has to be aware of a couple of things. First of all, some “ragtime enthusiasts” usually think of pieces like Zez Confrey’s “Kitten on the Keys,” or Roy Bargy’s “Pianoflage” when confronted
Although he was born in Chicago, Abe Lyman (1897-1957) spent much of his professional life working in the Los Angeles area. A solid drummer, he began leading bands around 1919, playing in night clubs and hotels on a regular basis into the mid-1940s. His band toured Europe in 1929, appeared
Sister Rosetta Tharpe (1915-73) was a unique and influential performer. Her mother was very active in the church and encouraged her daughter to develop into a singer and a guitarist. At six, Rosetta accompanied her mother in performances with a traveling evangelical troupe. After being married and divorced, she made
Upbeat has compiled a rather unusual release. The premise is that the 26 vintage recordings included on their Inspiring The Sixties CD (subtitled “The Musical Roots Of The Beat Generation”) helped lead to the Beatles, the British Invasion, and the British Blues Explosion of the 1960s. For example the Rolling
Considered Scotland’s top Gypsy Jazz group, Rose Room has been together for 15 years. Led by violinist and singer Seonaid Aitken, the current version of the quartet also includes solo guitarist Conor Smith (the unit’s newest member who joined five years ago), rhythm guitarist Tam Gallagher, and bassist Jimmy Moon.
During a period when most New Orleans brass bands have followed the lead of the Dirty Dozen Brass Band and emphasize r&b and funk, the Storyville Stompers Brass Band is one of the leaders of the traditional groups. They have been together for 44 years and have performed more than
Janet Klein and Her Parlor Boys have long been a cornerstone of the hot jazz community, unearthing forgotten tunes with wit and heart. They have had around 13 albums releases and innumerable performances in 27 years, with connections into both older and now younger generations. Janet Klein was one of
New Orleans’ Eight Dice Cloth forges a new path with their latest album, The Songs and Arrangements of Armand J. Piron, a vibrant tribute to one of the Crescent City’s most influential jazz pioneers. Recorded to tape by engineers Morgan Orion and Ian Wood, this grant-funded project supported by the
The Secret Six Jazz Band, led by the ever-steady upright bassist John Joyce, returns with a sixth album in under four years. Fireworks is a sparkling follow-up to their highly praised Centennial Tribute to King Oliver’s Creole Jazz Band. Released last October, Fireworks returns to their roots, instead of Centennials’
A dedicated Syncopated Times reader (who chooses to remain anonymous) came up with a particularly intriguing idea for an article. While the historic jazz recordings of 1917-45 have often been discussed through the years, what about the hot jazz sessions from the past eight decades? Because jazz history books tend
Celebrating Bird: the Triumph of Charlie Parker by Gary Giddins Paperback: 208 pages; $17.95 University of Minnesota Press www.upress.umn.edu ISBN: 9780816690411 One of things I enjoy most about reading a
Ricky Riccardi’s Stomp Off, Let’s Go: The Early Years of Louis Armstrong (Oxford University Press, 2025) is not only the best jazz biography that I’ve read in recent years, it
Of all of the major jazz orchestra leaders of the 1930s and ’40s, Artie Shaw undoubtedly led the most big bands, six during 1936-49. His underrated 1936-37 unit was too
When Andy Senior, esteemed editor of The Syncopated Times, and Larry Melton, a frequent contributor to this periodical and a founder of the Scott Joplin Ragtime Festival (celebrating its 51st
Vol.10, No.6, June 2025
From St. Louis to Boston, Hot Jazz Follows Anne Linders, by Michael Buonaiuto
Murder on the Bandstand: The Tragedy of Evan Thomas, by Sam Irwin
Musicians on Thomas “Fats” Waller, by Daniel Kassell
New Orleans Rhythm Kings: Their Riverboat Roots, by Allen Welsh
100 of the Hottest Classic Jazz Albums of 1945-2025, Pt 1, by Scott Yanow
Sant Andreu Jazz Band Competes at Essentially Ellington, by Garry Berman
Catherine Russell Swings Delightfully, Indefatigably, Agelessly, by Chip Deffaa
Drummer Fred Higuera: Aim For the Bottom Head!, by H. Smith & K. Dorn
Jazz Birthday of the Month: Ray Bauduc, illustration by Sara Lièvre
Static from my Attic, by Andy Senior
Final Chorus, compiled by Joe Bebco
Jazz Jottings: San Diego Jazz Party Tweak Reaps Rewards, by Lew Shaw
My Inspirations: Making a Present of the Past, by Jeff Barnhart
Quarter Notes: No Restin’ ’Cause We’re Festin’!, by Shelly Gallichio
Ragtime Vignettes: Kangaragaroo, by Brandon Byrne
Okeh Boldly Ventures Into Radio, 1922, by R.S. Baker
Ain’t Cha Got Music: NBEJB, Pt. 2, by J. Barnhart, S. Vincent, C.H. Pameijer
Festival Roundup, compiled by Joe Bebco
Profiles in Jazz: Art Hodes, by Scott Yanow
Gulf Coast Banjo Society Relocates During Renovations, by Andy Senior
2025 Bix Jazz Festival: Davenport Blues, Stomps, Rags, Joys, by Hal Smith
Dainty Debutantes: Female Novelty Pianists of the 1930s, CD review by Matthew de Lacey Davidson
Edwin J. Mcenelly’s Orchestra Complete Recordings: 1925 – 1929, CD review by Matthew de Lacey Davidson
Nights at the Turntable, CD reviews by Scott Yanow
3 book reviews by Gavin Milnthorpe
Off the Beaten Tracks, CD reviews by Joe Bebco
Stomp Off, Let’s Go: A “Must” For Any Serious Jazz Fan, by Chip Deffaa