Angela Verbrugge • Somewhere

Angela Verbrugge SomewhereIn her two previous recordings, The Night We Couldn’t Say Good Night and Love For Connoisseurs, Angela Verbrugge made a strong impression as both a warm and inviting jazz singer and a songwriter-lyricist. Her new EP, which clocks in just short of 30 minutes, consists of additional performances (all but one song being previously unreleased) from the sessions.

Joined by one of two rhythm sections (pianists Ray Gallon or Miles Black, Jodi Proznick or Cameron Brown on bass, drummers Joel Fountain or Anthony Pinciotti and, on two of the seven numbers, saxophonist Dave Say), Ms. Verbrugge is heard throughout in top form. She has a relaxed style while infusing her renditions with subtle creativity and her own appealing musical personality.

Red Wood Coast

The songs include the Harry James/Helen Forrest hit “I Had The Craziest Dream” in a version that includes the rarely-heard verse, a fairly straight vocal duet with Erik Kalaidzis on “Somewhere” from West Side Story, and a sly rendition of “Born To Be Blue” that is taken as a duet with pianist Gallon. Also included are a swinging “Until I Met You” which is taken at several different tempos, the ballad “For You, For Me, Forevermore,” Verbrugge’s “Je Ne Veux Pas Te Dire Bonsoir” (previously released but now heard in a remixed version), and the largely forgotten but haunting “If The Moon Turns Green.”

The singing is excellent and makes one want to hear more from the promising jazz singer.

Angela Verbrugge • Somewhere
Origin Arts OA2 22228
www.originarts.com

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Scott Yanow

Since 1975 Scott Yanow has been a regular reviewer of albums in many jazz styles. He has written for many jazz and arts magazines, including JazzTimes, Jazziz, Down Beat, Cadence, CODA, and the Los Angeles Jazz Scene, and was the jazz editor for Record Review. He has written an in-depth biography on Dizzy Gillespie for AllMusic.com. He has authored 11 books on jazz, over 900 liner notes for CDs and over 20,000 reviews of jazz recordings.

Yanow was a contributor to and co-editor of the third edition of the All Music Guide to Jazz. He continues to write for Downbeat, Jazziz, the Los Angeles Jazz Scene, the Jazz Rag, the New York City Jazz Record and other publications.

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