Fumi Tomita is Associate Professor of Jazz Pedagogy and Performance at the University of Massachusetts, Amherst. He is the author of The Jazz Rhythm Section: A Manual for Band Directors. He was active as a bass player in the New York jazz scene for over fifteen years. His recordings include The Elephant Vanishes: Jazz Interpretations of the Short Stories of Haruki Murakami, and on tenor saxophonist David Detweiler’s recordings, Celebrating Bird: The Music of Charlie Parker and There Used To Be Rain. I conducted the interview by email.
SP: What was your general goal in writing the book? Who was your intended audience?
FT: The intended audience is for those familiar with jazz but wanting to know more about early jazz. I felt that there weren’t any good introductory-type books on the topic and was surprised to find out that no one had really written anything like it since Schuller’s book. Court Carney came pretty close [Cuttin’ Up: How Early Jazz Got America’s Ear] and there are some good New Orleans material out there, but no overview.
I guess a big goal I had was to write a complete history of jazz over several volumes or books. When I studied for comprehensive exams I had to learn the whole history of Western classical music and came across Richard Taruskin’s History of Western Music which is five or so volumes. It was amazingly detailed and I remember thinking that jaz
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