Even experts on jazz history may not be that acquainted with Johnny Letman (1917-92). An excellent swing trumpeter who also had a bit of New Orleans in his style, he worked with many big bands in the 1930s, ’40s and ’50s including those of Horace Henderson, Lucky Millinder, Cab Calloway, and Count Basie (1951). In later years he played with such notables as Stuff Smith, Chubby Jackson, Wilbur DeParis, Claude Hopkins, Eddie Condon, Lionel Hampton, and Earl Hines. But despite his abilities, Letman never achieved much fame.
Other than recording enough material to fill up two albums on two days in 1968 with a quintet that included guitarist Tiny Grimes and tenor-saxophonist Hal Singer, Letman only led 1 1/2 albums in his career, all of which is included on the single CD The Four Faces Of Johnny. Four titles from 1959 are from a Various Artists album with Letman leading a quartet that also includes pianist Dick Wellstood, bassist Gene Ramey, and drummer Panama Francis. Most of the CD is comprised of the 1960 album The Many Angles Of Johnny Letman, a quintet date with Wellstood, Francis, guitarist Kenny Burrell, and bassist Peck Morrison.
The first two numbers from the latter, an inspired transformation of the King Oliver-associated “Mabel’s Dream” into a medium-slow swing piece and Wellstood’s “Tina,” has Letman sounding remarkably similar to Roy Eldridge, really capt
