Some recordings grab listeners from the first note. Lucky Day does just that and never lets go. The Brahmin Bellhops, a group of top classic jazz performers who are mostly from New England, is comprised of leader Jeff Hughes (on cornet, trumpet and flugelhorn), John Clark on clarinet, alto and baritone, Craig Bell doubling on clarinet and tenor, both Jimmy Mazzy and Bob Barta on banjos and occasional vocals, pianist Ross Petot, Albie Bernard on tuba, and drummer Steve Taddeo. Their musicianship is impeccable, they really know the late 1920s hot jazz style extremely well, and they make the most of their concise solos.
But, in addition to the solos and ensembles, the real stars are John Clark’s arrangements. On every song, one is kept guessing as to what is going to happen next, whether it is a hot 8 or 16-bar solo (sometimes backed by riffing from the other horns), a jammed ensemble, or an inventive arranged section. The 21 songs in all but six cases clock in under four minutes (only one exceeds five) and contain no slow or predictable moments. A lot happens in a relatively brief period of time.
Utilizing a repertoire filled with forgotten gems of the past, such as “Jones Law Blues,” “Nobody Cares If I’m Blue” (which really should have become a standard),” “Zulu Wail,” and “Bouncing Around,” and reinvented versions of a few more familiar numbers (“Copenhagen,
