The Story of Welles and Ory, Part Two

JB: Welcome back, intrepid explorers! To start the New year off with a bang, we’re continuing our discussion of the incomparable Kid Ory Band’s appearances on Orson Welles’ weekly radio show in 1944. In our previous installment, we wrapped up with the band’s spirited rendition of “Sugar Foot Stomp,” marred only by some rather uninspired clarinet playing. I believe that shortcoming will be adjusted in our first tune. Hal, over to you! HS: The following weekend (May 3, 1944), the all-star group played another Ory composition: “Savoy Blues.” On a number of previous occasions, Ory counted off “Savoy” at a fairly brisk tempo. In this case, it works to the band’s advantage. The usual routine is trimmed down due to time constraints, but we are still treated to a lovely guitar solo by Bud Scott, with Morton-like figures played by Buster Wilson in the background. The discography I have lists Wade Whaley on clarinet, but Orson Welles announces Barney Bigard as the reedman. And there can be no mistaking that rich, beautiful Bigard tone! Ory sounds terrific on the signature trombone solo and throughout the last chorus. The trombone tag is missing, but Ory ends the piece with a phrase that was also a favorite of Turk Murphy’s. This band just gets better and better from week to week! What stands out for you on this side, Jeff? JB: I hope Orson Welles was as excited about t