The Show Before The Show by Mike Jones and Penn Jillette

The Show Before The ShowSince 2002, pianist Mike Jones, a virtuoso with a forward-looking swinging style that would easily appeal to fans of Oscar Peterson, has been the warm-up act for Penn & Teller, the unique magicians. Jones plays for an hour in a duo before the magic act begins. His bassist is Penn Jillette.

Penn, the magician who talks on stage as opposed to the silent Teller, was a beginner in 2002. However he has developed since then into a fine musician with a big tone who plays swinging bass lines while staying mostly in a supportive role.

Great Jazz!

The Show Before The Show has Jones and Penn performing nine familiar standards plus the pianist’s original “Box Viewing Blues.” Jones (who had previously led at least eight albums) tears into such songs as “Broadway,” “But Not For Me,” “Tangerine,” and “Exactly Like You,” creating dazzling variations while keeping the melody close by.

His versions of “Corcovado” and “Manha de Carnival” largely ignore their bossa-nova roots in favor of swinging. Penn, who makes his recording debut as a bassist, sounds fine throughout, taking some basic solos and offering excellent accompaniment.

The fast-moving program (there is barely a second of silence between the songs and no ballads are included) stays happily stimulating throughout, making for a joyful listening experience.

SDJP

The Show Before The Show (Capri 74148, 10 selections, TT = 60:38) www.caprirecords.com

Also available on 180 gram vinyl.

Scott Yanow

Since 1975 Scott Yanow has been a regular reviewer of albums in many jazz styles. He has written for many jazz and arts magazines, including JazzTimes, Jazziz, Down Beat, Cadence, CODA, and the Los Angeles Jazz Scene, and was the jazz editor for Record Review. He has written an in-depth biography on Dizzy Gillespie for AllMusic.com. He has authored 11 books on jazz, over 900 liner notes for CDs and over 20,000 reviews of jazz recordings.

Yanow was a contributor to and co-editor of the third edition of the All Music Guide to Jazz. He continues to write for Downbeat, Jazziz, the Los Angeles Jazz Scene, the Jazz Rag, the New York City Jazz Record and other publications.

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