Louis Armstrong • The Standard Oil Sessions

The Standard Oil SessionsLouis Armstrong amassed a large collection of tapes in his lifetime which are now stored at the Louis Armstrong House Museum. While some of the tapes are of his records, his storytelling, and events of interest that had been televised, there are also many previously unreleased performances that will hopefully be made available someday.

Dot Time Records has an agreement to release four CDs of material of which The Standard Oil Sessions is the first.

Hot Jazz Jubile

The Standard School Broadcasts in San Francisco was an educational radio series hosted by guitarist-singer Clancy Hayes and Jack Cahill that featured music from various regions of the United States. On Jan. 20, 1950, Louis Armstrong, Jack Teagarden and Earl Hines joined Hayes, local clarinetist Lyle Johnson and an unknown bassist and drummer to perform “The Musical Story Of New Orleans.” While there is a bit of chit-chat by Hayes and Cahill,

The Standard Oil Sessions mostly consists of nine full-length songs (plus two rehearsal takes of “Do You Know What It Means To Miss New Orleans”) by the pianoless sextet. Five of the songs, one of which had been edited, were previously out on a bootleg record but otherwise the music was never available before. The chances are good that this program, which was supposed to be just 15 minutes but is actually 44 minutes long without counting the rehearsals, was never aired.

Teagarden gets to sing on “Basin Street Blues,” Hines is showcased on “Boogie Woogie On St. Louis Blues,” there are hot instrumental versions of “Muskrat Ramble,” “Struttin’ With Some Barbeque,” “Panama,” and “Way Down Yonder In New Orleans,” Satch takes the vocals on “Lazy River” and “Back O’Town Blues,” and he and Teagarden share “Do You Know What It Means To Miss New Orleans.” Armstrong’s trumpet solos are often intriguing, hinting at his set choruses of the mid-1950s but still with plenty of spontaneity. Clarinetist Johnson, who apparently never otherwise recorded, sounds a little nervous but does fine.

UpBeat Records

All in all, it is great to have some “new” Louis Armstrong.

The Standard Oil Sessions (Dot Time DT 8005, 11 selections, TT = 52:10) www.dottimerecords.com

Also See: Louis Armstrong • The Nightclubs

Since 1975 Scott Yanow has been a regular reviewer of albums in many jazz styles. He has written for many jazz and arts magazines, including JazzTimes, Jazziz, Down Beat, Cadence, CODA, and the Los Angeles Jazz Scene, and was the jazz editor for Record Review. He has written an in-depth biography on Dizzy Gillespie for AllMusic.com. He has authored 11 books on jazz, over 900 liner notes for CDs and over 20,000 reviews of jazz recordings.

Yanow was a contributor to and co-editor of the third edition of the All Music Guide to Jazz. He continues to write for Downbeat, Jazziz, the Los Angeles Jazz Scene, the Jazz Rag, the New York City Jazz Record and other publications.

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