Paying tribute to a jazz instrumentalist can be a tricky proposition, particularly if one plays the same instrument. A balance has to be found between emulating the artist and adding something new to the music. Earlier, altoist Owen Broder on Front And Center had paid homage to the great Johnny Hodges. Recently he released Vol. Two.
Johnny Hodges (1907-70) was always greatly admired for his beautiful tone. While renowned for his ballad performances with Duke Ellington, he also was quite individual on blues and swinging jump tunes, making every luscious note count
Hodges spent the 1951-55 period leading his own small bands in between two long stints with Ellington’s orchestra. Some of the music on Front And Center Vol. Two is from that period and three standards (“Wabash Blues,” “St. Louis Blues” and “Stompy Jones”) are drawn from a classic album (Back To Back) from 1959 on which Hodges was joined in a sextet by trumpeter Harry “Sweets” Edison and Ellington himself on piano.
Broder hints at Hodges in places on this set, particularly on the closing ballad “The Star Crossed Lovers,” but also lets some of his own musical personality seep into the music. In addition, he occasionally plays baritone with a bit of Harry Carney’s sound. Trumpeter Riley Mulherkar, who at times reminds one of Warren Vache and Bobby Hackett, is an excellent choice to share the frontline
