Southside Aces • Minneapolis Bump
Dave Doyle
August 31, 2023
It’s easy to prejudge an album, based on a band’s blurb and the first track or two. The latest release by Southside Aces promises “original
Menu
It’s easy to prejudge an album, based on a band’s blurb and the first track or two. The latest release by Southside Aces promises “original
We Brits like to think of ourselves as European—or 55 percent of us do, judging by a 2023 YouGov survey on Brexit “Bregret” (well, quelle
Many aspirational jazz musicians make their way to New Orleans at some point—to soak up the culture they love, to undertake a musical apprenticeship or
When I wrote about last year’s Cheltenham Jazz Festival, I noted the dearth of old-timey acts compared with its soul, pop, and fusion-oriented headliners. Well
Do you like scat singing? My Mum absolutely hates it—the wordless vocal improvisation featured on so many of Ella Fitzgerald’s sides (which she loves, by
How many albums is “a lot of albums”? Not to own, I mean—I’ve got around a hundred LPs, a number which most collectors would consider
I stuck this record on without first looking at the track list. As the first number opened, I felt a thrill of excitement—it sounded like
I did a double take when I read this album’s cover. From the title and band name I half expected—with a mixture of excitement and
If any modern, British musician embodies Louisiana circa 1920, it must be Ewan Bleach. Seeing him live, audiences would be forgiven for thinking he was
Our man Joe Bebco has reviewed several previous works by New Orleans outfit Smoking Time Jazz Club, a longstanding live fixture in the city and
It’s sure nice to have a new live album to review. We haven’t had too many of those come through in the last three years,
Many readers might take it as read that US bands do old-time jazz the best. It seems like a fair assumption, on the face of
About ten years ago, when I’d not been Lindy hopping long, I took part in a swing dance exhibition at a shopping center in Leeds.
It was late on a Friday when I first checked out the Cigar Box Serenaders’ new record, and I’d had a tough old week. Not
The Django a Gogo Festival is held every year in Maplewood, NJ, hosted by acclaimed French musician and composer Stephane Wrembel. The Grammy-winning guitarist has
If I was to describe the Pacific Six’s latest record as a no frills, economy size, value pack of swing and blues, you might well
I’ve mentioned my fondness for Bugsy Malone twice in previous record reviews, but nowhere was the reference more relevant than it is here. In both
Clinker advertise themselves as a “ragtime quartet”, which leaves a lot of what is remarkable about the band and their music unsaid. This is somewhat
As a jazz journalist, there are writers I look up to—experts in the field, whose expansive knowledge and well developed tastes make them widely acknowledged
I haven’t done anywhere near as much social dancing as I expected to, lately. When social distancing prevented it, I thought I would die without
One facet of my working life which I may not have shared with you before—for there’s been no reason that I should, up to now—is
Some musicians aspire to awards. Many wish to walk out on the world’s biggest stages. Others hope to headline festivals one day. For recording debutante
The first two times I listened to Russell Welch’s new album, I was busy doing something else. Doing what, you ask? As it happens, I
Oh, this one’s going to be divisive—that’s what I thought after listening through I Get Along, the new offering by London-based vocalist Lucinda Fosker. A
