‘As Long as They Can Blow’: Steve Provizer on Interracial Jazz
Roger Kimmel Smith
March 31, 2024
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Vol.4, No.3 March 2019
Catherine Russell is Jazz Royalty, by Brian R. Sheridan
Bill Hadnott: Kansas City Bass, by Dan Barrett
Harlem à Limoges: A History of Jazz in Limoges, by Becca Pulliam
Danny Coots: Master of Drums, Philosopher of Living, by Lew Shaw
Kristen Mosca Rags Disney, Reaches Millions, by Joe Bebco
Rhapsody in Blue at 95: The 1924 Aeolian Hall Concert, by Joe Bebco
Jazz Over the Waves: JazzFest at Sea 2019, by Frank Farbenbloom
Jazz Birthday of the Month: Paul Whiteman, illustration by Gary Price
Static from my Attic, by Andy Senior
Jazz Jottings, by Lew Shaw
Profiles in Jazz: Bunny Berigan, by Scott Yanow
Blowing off the Dust: My (Non) Musical Background, by Larry Melton
The Professor is IN: Trad Vs. Modern Jazz, by Adrian Cunningham
Quarter Notes: Jazzy Dining in the Quarter, by Shelly Gallichio
Jazz Travels: The North Carolina Jazz Festival, by Bill Hoffman
Final Chorus, compiled by Joe Bebco
Readers’ Letters
Festival Roundup
Nights at the Turntable, CD reviews by Scott Yanow
Off the Beaten Tracks, CD reviews by Joe Bebco
Syncopation Society Berlin, CD Review by Ljubinko Zivkovic
Bria Skonberg at MWPAI, Concert Review by Joe Bebco
Creating the Jazz Solo: Louis Armstrong & Barbershop Harmony, reviewed by Neal Siegal
Creole Trombone: Kid Ory and the Early Years of Jazz, reviewed by Joe Bebco
Even Terrible Twos Get the Blues, by Dan Levinson
“Awarding” Times for Banjoist Sayer, by Joe Bebco
Vitaphone Project Co-founder Hutchinson Dies, by Joe Bebco
Connie Jones: Final Notes at 84, by Lew Shaw
