When asked for his first impression on meeting Stephanie Trick in 2008 at a festival in Switzerland, Paolo Alderighi responded without hesitation, “I was totally blown away. Here was this attractive young girl who played stride piano and liked Fats Waller. What more could you want?”
So what was Stephanie’s reaction? “The organizers at these festivals give you a program that lists who you’re going to play with. Since I was new at the time, I didn’t know anyone. It turns out I was teamed with Paolo, and he was just the nicest person. He knew I was scared, but he was always there for me that weekend. And I loved the way he played. He has a unique approach that’s a mix of all sorts of influences. The organizers at Boswil now take credit for having introduced us. I think they wanted to get us together.”
Paolo’s father is an amateur jazz musician who still enjoys playing the double bass, banjo or harmonica, and Paolo has an older brother who plays the clarinet. So he grew up listening to a lot of classic jazz. At 16, he joined the Chicago-style Milano Jazz Gang. In 2000, he received his degree in music and piano from the G. Verdi Conservatory of Milan and then completed a five-year graduate program in economics for the arts, culture and media at Bocconi University, which is also located in his hometown of Milan, Italy.
In 2004, he won a prize as the best young musician at the Breda Festival in The Netherlands, which led to the first of ten appearances at the Kobe Jazz Festival. It was at this point that it became obvious that Paolo’s future career would be as a professional jazz pianist. Musica Jazz magazine substantiated that decision, ranking him second in the “Best New Talent” category and first in “Brand New Jazz Acts” by popular vote for the 2007 Italian jazz awards.
He was the recipient of a National Prize for the Arts in the jazz category by the Italian Ministry of University and Research. Paolo and Stephanie have been performing together for the past five years and have been married since 2013. They maintain an apartment in Milan and one in Stephanie’s hometown of St. Louis, where her mother still lives. They admit the travel is intense, spending half of their time in the United States, and half in Europe, a schedule that involves six or seven trans-Atlantic trips in the course of a year.
This past September found them performing in Switzerland, Germany, France, and Sweden. This month they will be on a week-long jazz cruise up the East Coast from New York City to Nova Scotia along with a trip to the Sun Valley Jazz & Music Festival in Idaho. November, it’s back across the Atlantic to Switzerland and England and returning to the United States for the West Coast Ragtime and San Diego Thanksgiving Festivals. Wrap up 2016 with a 10-day jazz cruise departing from Miami, Florida for various ports in the Caribbean, and then heading for Asia for the International Music Festival in Thailand. Peripatetic has to be the operative word for this itinerant couple.
Eighty-five percent of their performances are currently joint appearances. “You get used to being constantly on the move,” Paolo acknowledges, “but the important thing is that Stephanie and I are together. We don’t have a particular routine, and every day is different. We practice as much as we can, and are always working on new arrangements. During the months of February and May, I teach a History of Music course at Bocconi University.”
Paolo’s first trip to the United States was in 2011 to perform at the Arbors Records Invitational Jazz Party in Clearwater Beach, Florida. He retains his Italian citizenship, but is considered a permanent resident of the United States as a Green Card holder. In what little spare time he has, he enjoys reading, especially about the history of America and its music.
A highlight for Stephanie and Paolo was the opportunity to play for the Prince of Wales and Duchess of Cornwall (who are known as the Duke and Duchess of Rothesay in Scotland) at the Edinburgh Jazz & Blues Festival in 2014.
While each has their own distinctive style, they have definitely found a basis for compatibility in the five years they have been together, whether it’s on one piano or two. Stephanie focuses on James P. Johnson, Fats Waller, and Albert Ammons, while Paolo leans more toward Erroll Garner, Earl “Fatha” Hines, and Teddy Wilson. The title of their first CD together in 2014 says it best: Two for One, along with demonstrating their great enthusiasm and passion for classic jazz.
As Dick Hyman has stated, “I love to hear Stephanie Trick and Paolo Alderighi together. They are an inspiration. Such sympatico! Such back-and-forth! Individually they are marvelous musicians—we’ve known that, but together they play 4-handed stride as it’s never been done. Brava, bravo!”
Read: Paolo Alderighi and Stephanie Trick: Broadway and More (album review) and A Dazzling Duo: Paolo Alderighi and Stephanie Trick (2020 follow up to this article)
Lew Shaw started writing about music as the publicist for the famous Berkshire Music Barn in the 1960s. He joined the West Coast Rag almost thirty years ago and has been a guiding light to this paper through the two name changes since then as we became The Syncopated Times. 47 of his profiles are collected in Jazz Beat: Notes on Classic Jazz. Volume two, containing profiles from 2013-2016 will be available on Amazon soon. He taps his extensive network of connections and friends throughout the traditional jazz world to bring us his Jazz Jottings column every month.