Redhotjazz.com was a crown jewel of the early internet. Starting in the mid ’90s it made the offline discographies and biographies of early jazz available to the online public. It also hosted thousands of audio files donated by people who were digitizing their 78 RPM record collections, making many obscure recordings available for the first time. This all started long before Youtube and even before Wikipedia was much more than an idea.
We are duplicating the content of the Red Hot Jazz Archive from a snapshot saved in Archive.org’s Wayback Machine. Keeping with both the original intent and mission of Redhotjazz.org everything will be publicly available outside of our paywall. For ease of use we are improving each entry to meet the norms of the phone friendly modern internet.
The downloadable music files are mostly MP3s but some are in the ancient Real Audio (.ra) format. Rather than opening a new tab so you can stream or download them the Real Audio files will immediately download when you click them. Don’t be frightened. You don’t need Real Audio player to play them but they won’t work on Windows Media Player. We recommend the free and open source VLC player.
For more information read: About the Archive
This was a single record made under this confusing name, for the primary entries see: Dorsey Brothers Orchestra Jimmy Dorsey (1904-1957) Tommy Dorsey (1905-1956) Title
Title Recording Date Recording Location Company Down Home In Kentucky 12-6-1929 Chicago, Illinois Vocalion 1472 You Got To Wet It 12-6-1929 Chicago, Illinois Vocalion 1472
Title Recording Date Recording Location Company Chocolate To The Bone (I’m So Glad I’m Brownskin) (Frankie Jaxon) 7-20-1937 Chicago, Illinois Decca 7360 A I Knocks
Lovie Austin and her Blues Serenaders accompanied dozens of Blues singers in the 1920s, but none as famous as the “Mother of the Blues”, Ma Rainey. Tommy Ladnier contributes