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Tom "Red" Brown (1888-1958)
Tom "Red" Brown (1888-1958)Like most early White New Orleans Jazz musicians, trombonist Tom Brown (June 3, 1888 – March 25, 1958) was a veteran of Papa Jack Laine’s Reliance Brass Band.

Around 1910 he organized his own band called Brown’s Ragtime Band. In 1915 he took the band North to Chicago making him the first to bring a White Jazz band north from New Orleans.

Brown claimed to be the first to use the word “Jass” to describe the music that was coming out of New Orleans. The legend goes like this: the word “Jass” was some vague slang for sex, and was associated with prostitution. Tom Brown’s band had come North from New Orleans in 1915 and was playing a successful engagement at Lamb’s Cafe (located at Clark and Randolph Streets) against the wishes of the Chicago musician’s union. The term “Jass” was used by the union as a way to denigrate the band. In defiance of the union Brown and the club owner started advertising the band as Brown’s Band From Dixieland .

Tom Brown's Band From Dixieland
Tom Brown’s Band From Dixieland (1921)

The union’s insults backfired increasing the popularity of the group and causing the term “Jass” to forever be used to describe the New Orleans style of collective improvisation. Brown’s Dixieland Jass Band consisted of Tom Brown on trombone, his brother Steve on bass, Ray Lopez on cornet, William Lambert on drums, Arnold Loyacano on guitar and Larry Shields on clarinet. The band traveled to New York and had a successful run in 1916, but then broke up.

Stein's Dixie Jass Band 1916 Yellow Nuņez, Eddie Edwards, Henry Ragas, Nick La Rocca, Johnny Stein.
Stein’s Dixie Jass Band 1916 Yellow Nuņez, Eddie Edwards, Henry Ragas, Nick La Rocca, Johnny Stein.

Brown returned briefly to New Orleans, but booking agents in New York were still contacting him wanting a “Jass” band. He recommended another White New Orleans Jazz band, Stein’s Dixieland Jass Band that was playing in Chicago at the time. Johnny Stein was under contractual obligation in Chicago and couldn’t make it, but the rest of the band decided that this was too good of an offer to pass up and left Stein holding the bag in Chicago.

Original Dixieland Jazz Band
Original Dixieland Jass Band in 1917. left to right: Tony Sbarbaro, Nick La Rocca, Yellow Nuņez, Eddie Edwards, Henry Ragas.

In New York the group became The Original Dixieland Jass Band, an obvious attempt to associate themselves with Brown’s Band From Dixieland. Brown got another band together and got a gig at New York’s Century Theatre as part of Town Topics revue in 1916 where they were billed as The Five Rubes.

Once in New York, Brown’s clarinetist, Larry Shields exchanged jobs with Yellow Nuņez who had just been fired from The Original Dixieland Jass Band. Nuņez joined Brown’s band.

While in New York Tom Brown took part in a number of recording sessions which included the Happy SixYerke’s Jazarimba OrchestraThe Kentucky Serenaders and with Ray Miller’s Black and White Melody Boys. Brown couldn’t keep his band together in New York, and returned to Chicago where he led bands and worked as a sideman before he returned to New Orleans and opened a music shop.

Tom "Red" Brown (1888-1958)In New Orleans he played with Johnny Bayersdorffer and his Jazzola Novelty Orchestra. He continued to play in a variety of bands in New Orleans for the rest of his life while also running his store. In 1955 and 1958 Brown recorded for the first time under his own name. These sessions are available on CD from GBH records under the name of Tom Brown and his New Orleans Jazz Band.

Read an interview with Tom Brown from the 1950s

Tom "Red" Brown (1888-1958)

Tom Brown’s Band From Dixieland The Five Rubes was a pioneering website during the "Information wants to be Free" era of the 1990s. In that spirit we are recovering the lost data from the now defunct site and sharing it with you.
Most of the music in the archive is in the form of MP3s hosted on or the French servers of where this music is all in the public domain.
Files unavailable from those sources we host ourselves. They were made from original 78 RPM records in the hands of private collectors in the 1990s who contributed to the original They were hosted as .ra files originally and we have converted them into the more modern MP3 format. They are of inferior quality to what is available commercially and are intended for reference purposes only. In some cases a Real Audio (.ra) file from will download. Don't be scared! Those files will play in many music programs, but not Windows Media Player.

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