This new feature in TST will bring longtime friends and jazz musicians Jeff Barnhart and Hal Smith together for the first time in print. They have enjoyed a long association in various onstage incarnations and have had an ongoing dialogue about the evolution of jazz, its times and its practitioners over the years. They are thrilled to bring some of these discussions to light in this new monthly column. In it, Hal and Jeff will cover a kaleidoscopic array of jazz topics, from in-depth explorations of pioneering individuals and styles to the larger ebbs and flows of classic jazz throughout the ages, up to the present and (hoped-for) future.
“Ain’t’cha Got Music?” was composed in 1932 by James P. Johnson, for the musical Harlem Hotcha. The best known recording of the song was made by Henry “Red” Allen, Coleman Hawkins and their Orchestra in 1933. Johnson did not record his own composition until 1947.
Jeff Barnhart: Well, Hal, you’ve done it again. I’ve been grooving on the selections you chose to share the music and story of Edmond Souchon: banjoist,
Jeff Barnhart: Welcome, dear reader! This month, we are continuing our exploration of the music of New Orleans cornet player Johnny Wiggs, whose recorded output
Jeff Barnhart: Hal my friend, you’ve chosen a musician I know little about, but whose work I’ve heard—and very much enjoyed in the past. Since
Jeff Barnhart: Dan, we have the pleasure of discussing the final four sides the Bennie Moten Orchestra recorded on Dec. 13, 1932, in Camden, NJ.
Jeff Barnhart: You loyal followers of hot music and the dissection thereof will rejoice that musician and musicologist Dan Barrett again joins me with great
Jeff Barnhart: This month, commitments have swept Hal away and it took me about 20 seconds (actually, I’m exaggerating) to arrive at my desired substitute;
Hal Smith: Brother Kevin, we have received quite a lot of positive comments for our first article on Morey Feld. Before we begin part two,
Hal Smith: Dear Readers, this month Jeff and I will explore the music of the great jazz pianist Bob Greene. We start with the first
Jeff Barnhart: Welcome back, dear readers. This month we’re continuing our discussion of a unique traditional jazz group that had its heyday in the 1960s
Jeff Barnhart: Welcome! This month we’re taking a break from poring over recordings created 95+ years ago and concentrating on a Californian group that had
JB: Welcome back, intrepid explorers! To start the New year off with a bang, we’re continuing our discussion of the incomparable Kid Ory Band’s appearances
Jeff Barnhart: Welcome back, Hal! I couldn’t start this next topic without you!! In an earlier column (TST Jan–Feb 2023) we enjoyed a two-part exploration
Jeff Barnhart: Faithful readers, due to a very busy travel and performance schedule, Hal Smith indicated he’d need to relinquish his usual seat at our
Jeff Barnhart: Hal, we’re both very fortunate to have busy performing/traveling schedules this month so we’ve pared down the number of tunes we’ll explore. As we’ll
Jeff Barnhart: Hal, this month we’re exploring Charlie Johnson’s Paradise Orchestra (sometimes Ten or Band), a unit that recorded between Feb 1925 and May 1929
Jeff Barnhart: Hal, this month we’re concluding our discussion of the music produced by violinist Clifford Hayes and Co. Starting as the Dixieland Jug Blowers,
Jeff Barnhart: Hal, last month we began exploring the music of the Dixieland Jug Blowers, concluding with the first side from their June 6, 1927,
Jeff Barnhart: This month we’re starting a two-part discussion about the music of the Dixieland Jug Blowers from the mid-1920s. I’ll freely admit I’ve only
Jeff Barnhart: Hal, as you recall, we omitted one recording in our discussion of the New Orleans Owls (TST, March-April 2023) to work out a
Jeff Barnhart: Hal, onto Part 2 of our exploration of the New Orleans Owls, a hot band that recorded some terrific sides over five sessions
Jeff Barnhart: Hal, this month we’re listening to and discussing the music of a really hot, and polished, band from New Orleans. The New Orleans Owls
Jeff Barnhart: Welcome back, hot music enthusiasts! This month, we offer the sequel to our exploration of trombonist Edward “Kid” Ory. On July 14th, 1926,
Jeff Barnhart: Hal, we’re beginning 2023 with a look at one of the most influential, colorful and exciting musicians in Jazz history; trombonist Edward “Kid”
Jeff Barnhart: We return this month to conclude our exploration of the remaining sides by the New Orleans-based Halfway House Orchestra, recorded between October 1927
