It is easy to divide the musical life of Nat King Cole (1919-65) into two. Prior to 1950, he was well known as a very talented swing pianist who also sang, most often with his piano-guitar-bass trio. After he had a giant hit with “Mona Lisa” in 1950, Cole (who became world famous) would always be known to the general public as a singer who also played a bit of piano. However he never lost his talents as a jazz pianist even though it was on display much less often in his later years.
The previously unreleased music on the two-CD/LP set Live At The Blue Note Chicago adds to Cole’s legacy. Performed in 1953 with his trio (which included guitarist John Collins and bassist Charlie Harris) plus drummer Lee Young, the 24 performances feature Cole once again (and for one of the last times on record) as a singing pianist playing live in a small jazz club. He enjoyed the intimacy of the Blue Note, liked its owner, and clearly relished interacting with the enthusiastic audience.
Cole performs versions of some of his hits (without an orchestra or strings) including “Unforgettable,” “Sweet Lorraine,” “Walkin’ My Baby Back Home,” “Straighten Up And Fly Right,” “Nature Boy,” “Route 66,” and a medley of “Mona Lisa” and “Too Young.” His voice sounds at its peak, particularly on the ballads, and one can easily understand why so many fans loved his singing. In a
