Browse the October 2026 Issue

Monk Rowe interviews Bob Wilber (1998)

Bob Wilber was born in New York City on March 15, 1928. He began performing professionally while still in high school, playing clarinet and saxophone

What’s in a Jazz Nickname?

I once met a fighter pilot whose call-sign was “Ice.” I remember thinking it was one of the coolest nicknames I’d ever heard. Obviously this

Praise for “The Miller Effect”

To the Editor: As a consequence of travel, I’m a month behind in my reading of the April edition of The Syncopated Times. Thus, I

From The 2026 Davenport Bix Fest

The 55th annual Bix Beiderbecke Jazz Festival got off to a rousing start on Wednesday, July 29 at Jim’s Knoxville Tap in nearby Milan, IL

Wende Harston Queen City

From the 2026 Evergreen Jazz Festival

This July 24-26 marked the 23rd Evergreen Jazz Festival in the Front Range of the Rockies (elevation 7500 ft.) about 30 miles southwest of Denver.

Dan Levinson (photo by John Herr)

Dan Announces His Return

TST readers will be happy to know that reedman Dan Levinson is back in action after six months following a medical procedure that cast doubt

Ma Rainey in 1917

Ma Rainey: Profiles in Jazz

Of all of the classic blues singers of the 1920s who were able to record, Ma Rainey’s history went back the furthest. In an interview

Jumping and Jiving at the Jazz Jubilee!

And a little bit of wailing too! What a fantastic Labor Day weekend celebration at the 11th Annual Hot Jazz Jubilee in Sacramento—great bands, venues,

A Little Night Music…

While the rest the world is scorching, Tucson welcomes monsoon rains and its afternoon cooling effect. The monthly Tuesday night Pop-Up Piano Bar group has

Hot Summer Nights = Hot Jazz!

The Century Room downtown is a go-to place on hot summer nights in Tucson. Besides showcasing our local talent, there are many visiting artists on

Eddie_Condon_(Gottlieb_01651)

Texas Shouts #19-21: Chicago Style Dixieland

Set forth below are the combined 19th-21st “Texas Shout” columns. This three-part essay appeared in the July, August, and September 1991 issues of the West Coast

Texas Shout #15 How to Improvise Solos

Set forth below is the fifteenth “Texas Shout” column. It first appeared in the March 1991 issue of the West Coast Rag, (now Syncopated Times.) Because

Emile Berliner’s Unique Recording Method

Here the unusual recording system for Berliner is illustrated. Throughout Berliner’s existence in the United States, he did not use recording methods typical of the

The First Drag Queen on the Phonograph

When historians think of the first famous drag queens, most will consider the liberated ones of the 1920s. Usually Julian Eltinge and Gladys Bentley come

‘Hello Mudduh, Hello Fadduh!’

How I wish I could fact check with a time machine! As with many formative strong childhood memories, music swirls in and out of the

The Lost Hook Tapes

It really is a waiting game based on luck and endurance. I am banking on the idea that if you stick to your artistic career

The Odd Brilliance of P.T. Stanton

Horn player P.T. Stanton was a creative, original and mysterious musician who left his signature on the second wave of the Great San Francisco Jazz

Ain’t No Wrong Notes in Jazz

It is easy to be impressed by jazz musicians… if you are not one yourself. We are, after all, an impressive bunch. And I know

Bad Moon Rising

Jazz musicians are a mischievous bunch. I doubt that’s a surprise to any of you, as the history books are filled with stories of pranks

The New Syllabus

There’s been a lot made in the news in recent times about systemic issues in our education system. As I understand it, there seems to

Help Save Ragtime’s History

I was recently contacted by a gentleman in New York who has had to curtail playing the piano due to the challenges of aging and

Fifty Years Later, Here We Are!

We got old. Fifty years added to our twenties, thirties, and forties in 1974 equals old for those who have managed to survive. And. for

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