The New Orleans Feetwarmers 1932 sides are the epitome of Hot Jazz. Sidney Bechet‘s soprano sax playing is nothing short of amazing on the song Shag. Ernest Meyers’s scat singing solo on that same song has to be one of the finest examples of Jazz singing ever recorded. Unfortunately the records didn’t sell well. The Hot Jazz style was pretty much dead by 1932. Public tastes were shifting to the less wild, more arranged, big band style of Swing. The New Orleans joyful style of collective improvisation that is represented here did not match the mood of the Depression era. In the late 1930’s and 1940s Bechet revived the band’s name as Sidney Bechet and his New Orleans Feetwarmers. See also: Sidney Bechet: Profiles in Jazz |
Title | Recording Date | Recording Location | Company |
Ain’t Misbehavin’ (Andy Razaf/ Fats Waller / Ernie Brooks) | 9-6-1940 | New York, New York | Victor 26746-B |
Baby, Won’t You Please Come Home (Charles Warfield / Clarence Williams) | 1-8-1941 | New York, New York | Victor 27386-B |
Blues For You, Johnny | 9-6-1940 | New York, New York | Victor 26746-A |
Blues In The Air (Sidney Bechet) | 10-14-1941 | New York, New York | Victor 20-1510-B |
Blues In Thirds (Trio) (Earl Hines) | 9-6-1940 | New York, New York | Victor 27204-B |
Coal Black Shine (John D. Reid / Sidney Bechet) | 1-8-1941 | New York, New York | Victor 27386-A |
Egyptian Fantasy (John Reid / Sidney Bechet) | 1-8-1941 | New York, New York | Victor 27337 |
Georgia Cabin (Mary Karoly / Sidney Bechet) | 9-13-1941 | New York, New York | Victor 27904-B |
I Ain’t Gonna Give Nobody None O’ This Jelly Roll (Spencer Williams / Clarence Williams) | 4-28-1941 | New York, New York | Victor 27447-A |
I Know That You Know (Anne Caldwell / Vincent Youmans) | 4-28-41 | New York, New York | Victor 27574-B |
Indian Summer (Al Dubin / Victor Herbert) | 2-5-1940 | New York, New York | Bluebird B-10623-A |
I’m Coming Virginia (Will Marion Cook / Donald Heywood) | 9-13-1941 | New York, New York | Victor 27904-A |
I’ve Found A New Baby (Jack Palmer / Spencer Williams) | 9-15-1932 | New York, New York | Victor 24150-B Bluebird B-10022-B |
I Want You Tonight (Sidney Bechet / Billy Maxey) | 9-15-1932 | New York, New York | Bluebird B-10472-B |
I Wish I Could Shimmy Like My Sister Kate (A.J. Piron) | 12-23-1938 | New York, New York | Top Rank |
Lay Your Racket (Sidney Bechet / Billy Maxey) | 9-15-1932 | New York, New York | Victor 23358 Bluebird B-10472-A |
Laughin’ In Rhythm (Slim Gaillard / Bud Green) | 10-14-1941 | New York, New York | Victor 27663-A |
Limehouse Blues (Douglas Furber / Philip Braham) | 9-13-1941 | New York, New York | Victor 27600 |
Make Me A Pallet On The Floor | 6-4-1940 | New York, New York | Bluebird B-8509 |
Maple Leaf Rag (Scott Joplin) | 9-15-1932 | New York, New York | Victor 23360 Bluebird B-7614-B |
Mood Indigo (Barney Bigard / Duke Ellington / Irving Mills) | 10-24-1941 | New York, New York | HMV JK-2718 |
Nobody Knows The Way I Feel Dis Mornin’ (Tom Delaney / Pearl Delaney) | 6-4-1940 | New York, New York | Victor 26663-B |
Oh! Lady Be Good! (George Gershwin / Ira Gershwin) | 10-24-1941 | New York, New York | Victor 27707-A |
Old Man Blues (Duke Ellington / Irving Mills) | 6-4-1940 | New York, New York | Victor 26663-A |
One O’Clock Jump (Count Basie) | 2-5-1940 | New York, New York | Victor 27204-A |
Preaching Blues (Sidney Bechet) | 2-5-1940 | New York, New York | Bluebird B-10623-A |
Rip Up The Joint | 10-14-1941 | New York, New York | Victor 27663-B |
Rose Room (Harry Williams / Art Hickman) | 10-24-1941 | New York, New York | Victor 27707-B |
Save It Pretty Mama (Don Redman / Joe Davis / Paul Denniker) | 9-6-1940 | New York, New York | Victor 27240-A |
Shag (Joe Jordan) | 9-15-1932 | New York, New York | Victor 24150-A Bluebird B-10022-A |
Shake It And Break It (Clark / Louchiha) | 9-6-1940 | New York, New York | Victor 27240-A |
Sidney’s Blues (Sidney Bechet) | 2-5-1940 | New York, New York | Bluebird B-8509 |
Slippin’ And Slidin’ | 1-8-1941 | New York, New York | Victor 27337 |
Stompy Jones (Duke Ellington) | 9-6-1940 | New York, New York | Victor 27240-B |
Strange Fruit (Trio) | 9-13-1941 | New York, New York | Victor 27-0127 |
Suey | 10-14-1941 | New York, New York | Victor 20-1510-A |
Sweetie Dear (Joe Jordan / Cook) | 9-15-1932 | New York, New York | Victor 23360 Bluebird B-7614-A |
Swing Parade | 4-28-1941 | New York, New York | Victor 27574-A |
Texas Moaner (Paul Barnes / Clarence Williams) | 9-13-1941 | New York, New York | Victor 27600 |
The Mooche (Irving Mills / Duke Ellington) | 10-14-1941 | New York, New York | Victor 20-1510-A |
12th Street Rag (J.S. Sumner / E.L. Bowman) | 9-13-1941 | New York, New York | Victor 20-1510-A |
Weary Blues (Artie Matthews) | 12-23-1938 | New York, New York | Top Rank |
What Is This Thing Called Love? (Cole Porter) | 10-24-1941 | New York, New York | HMV JK-2720 |
When Its Sleepy Time Down South (Leon Rene / Otis Rene / Clarence Muse) | 4-28-1941 | New York, New York | Victor 27447-B |
Wild Man Blues (Jelly Roll Morton / Louis Armstrong) | 6-4-1940 | New York, New York | Victor 26640-B |
You’re The Limit (Trio) | 9-13-1941 | New York, New York | HMV JK-2718 |
Artist | Instrument |
Sidney Bechet | Soprano Saxophone, Clarinet |
Henry Duncan | Piano |
Tommy Ladnier | Trumpet |
Billy Maxey | Vocals |
Ernest Meyers | Bass, Vocals |
Morris Morland | Drums |
Teddy Nixon | Trombone |