No, the music on The Unheard Artie Shaw does not contain new recordings by the great clarinetist. Instead, the set released by the Hep label is mostly comprised of newly recorded versions of arrangements that Shaw never got around to recording in the studio. In a few cases his band was captured on radio broadcasts playing these charts, but, other than a brief version of his theme “Nightmare” and a remake of his biggest hit “Begin The Beguine,” the music has gone largely unheard for nearly 80 years.
The arrangements were all originally written during 1937-39 when Shaw was leading his most popular orchestra. Jerry Gray and Eddie Durham are the main writers although Al Avola, Joe Garland, and Harry Rogers are also represented. The music is performed by a 14-piece group of New York all-stars with Dan Levinson in Shaw’s place and most of the other solos taken by trumpeter Jon-Erik Kellso, tenor-saxophonist Mark Lopeman, trombonist Harvey Tibbs, and pianist Mark Shane. Molly Ryan has two pleasing vocals and there are four in the Billie Holiday style by a singer who for some reason is only identified as Moanin’ Mary; she comes close to sounding like Lady Day.
On Dan Levinson’s many previous recordings on clarinet, he never really hinted at the playing of Artie Shaw, instead ranging from Larry Shields to Benny Goodman and sometimes making me recall Jimmy Lytell. It is to h
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