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Lee Collins is one of the underrated and lesser-known New Orleans trumpet players, of whom Danny Barker has said that he was a sweetheart of Albertine McKay in the “District”, who kept him “steady” by always carrying a .38 special loaded with dum-dum bullets!

He had a band in the 1920s which was based in New Orleans, but which also took around the surrounding towns for special engagements.

These sides might profitably be compared with those made by Louis Dumaine’s Jazzola Eight two years earlier. These have veered from the typical New Orleans collective work and have ventured far into solo-ridden Jazz which became fashionable by 1929 – there is much in them comparable to the Harlem small-band Jazz of that time.

Taken from the book Recorded Jazz: A Critical Guide by Rex Harris and Brian Rust.

discography

TitleRecording DateRecording LocationCompany
Astoria Strut
(Lee Collins / David Jones)
11-15-1929New Orleans, LouisianaVictor
V-38576-A
Damp Weather (1)
(Albert Morgan / Emmanuel Sayles)
11-15-1929New Orleans, LouisianaBluebird
B-10952-A
Damp Weather (2)
(Albert Morgan / Emmanuel Sayles)
11-15-1929New Orleans, LouisianaMerritt 1 (LP)
Duet Strut
(Sidney Arodin / David Jones)
11-15-1929New Orleans, LouisianaVictor
V-38576-B
Tip Easy Blues (1)
(Joseph Robechaux / Theadore Purnell)
11-15-1929New Orleans, LouisianaBluebird
B-10952-B
Tip Easy Blues (2)
(Joseph Robechaux / Theadore Purnell)
11-15-1929New Orleans, LouisianaMerritt 1 (LP)

ArtistInstrument
Sidney ArodinClarinet
Lee CollinsCornet
Al MorganBass, Vocals
Theodore PurnellAlto Saxophone
David JonesTenor Saxophone
John RobechauxPiano
Emmanuel SaylesBanjo
Joe Strode RaphaelDrums

 

St Louis Cotton Club Band 1925

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