Speigle remained with the Collegians until early 1925 and then joined the Jean Goldkette Orchestra in October 1925. Victor issued three sides by The Collegians. Speigel recalled that, “When we made those three Victor records, Paul Whiteman was nowhere to be seen, just The Collegians. There we were – this was prior to microphones – blowing into the big horn, with the same producer, Eddie King, as we recorded with later with the Goldkette Orchestra in that very same room in New York. —by Dennis Pereyra
Title | Recording Date | Recording Location | Company |
I Cried For You (Now It’s Your Turn To Cry Over Me) (Freed / Arnheim / Lyman) | 7-5-1923 | New York, New York | Victor 19093 |
Little Rover (Don’t Forget To Come Back Home) | 3-23-1923 | New York, New York | rejected |
Little Rover (Don’t Forget To Come Back Home) | 3-30-1923 | New York, New York | rejected |
Mad (‘Cause You Threat Me This Way) | 3-30-1923 | New York, New York | rejected |
Papa, Better Watch Your Step (Wells / Cooper) | 7-5-1923 | New York, New York | Victor 19105 |
That Red-Head Girl (Van Schenck / Lodge) | 3-23-1923 | New York, New York | Victor 19049 |
Artist | Instrument |
Freddie Ballinger | Tenor Saxophone |
Bob Causer | Drums |
Charlie Dean | Banjo |
Red Ewald | Violin |
Roy Johnston | Trumpet |
Jimmy Lynch | Piano |
Spiegle Wilcox | Trombone |
Stub Washburn | Alto Saxophone |