Panama, Pt. 2
Jeff Barnhart
June 30, 2021
In the previous issue of The Syncopated Times, we explored the similarities and (copious) differences between recordings of “Panama” made during the 1920s and 1930s.
In the previous issue of The Syncopated Times, we explored the similarities and (copious) differences between recordings of “Panama” made during the 1920s and 1930s.
When I approached editor Andy Senior offering to write an occasional column about light hearted musical musings all and sundry he gave me his blessing,
In 2020, the Monterey Jazz Bash by the Bay was the final major festival on the trad jazz circuit that took place before the pandemic
Hal Smith: Jeff, when you think about the traditional jazz “warhorses”—like “At The Jazz Band Ball,” “That’s A Plenty” or “Fidgety Feet”—traditional jazz musicians usually
Hal Smith: When we finished our last article for The Syncopated Times, Jeff kindly offered to let me choose the subject for our next collaboration.
Jeff Barnhart: Hal, we left off our discussion in Part One with a brief analysis of the Original Dixieland Jazz Band and their way of
Jeff Barnhart: Hal, this month’s column marks a thematic departure for us, but it is a subject about which I’ve given considerable thought over the
Jeff Barnhart is an in-demand solo performer, sideman, bandleader and festival musical director with a well-deserved, international fan base. Besides sharing a bandstand with this
