Duke Ellington‘s stay at the Cotton Club has become one of the enduring legends of Jazz. Movies, songs and books have celebrated the orchestra’s residency at the club which was located on the second floor of 644 Lexington at the corner of West 142nd Street in the Harlem section of New York City. It all began late in May of 1927 when Andy Preer who had been leading the house band at the Cotton Club died. In looking for a replacement the first choice was King Oliver‘s band, but they were not offering enough money for Oliver’s taste and he turned down the job. The gig went to Duke Ellington and his men. The Cotton Club was owned by a consortium of mobsters led by bootlegger Owney Madden. The club’s decor was modeled after the old South of plantations and slavery, hence the name The Cotton Club. The club was also segregated, only Whites were allowed in the audience, while the waiters and entertainers were all African-American, with the exception of occasional guest star appearances. The show was a musical revue which featured dancers, singers, comedians and variety acts, as well as Duke’s band which supplied music for the floor show and singers. The Orchestra also played independently for dancing pleasure of the audience. There were two floor shows a night at midnight and 2am. What made Duke Ellington and his Cotton Club Orchestra famous were the weekly broadcasts on radio station WHN. These broadcasts were heard all over the country and gave Ellington national exposure. The band’s first stay at the club began on December 4th, 1927 and continued until June 30th, 1930. They returned in September and October of 1930 and again in January of 1931. They were at the club in February of 1932 and in the spring of 1933 and appeared there for the last time in 1937 and 1938 in the club’s new location downtown. |
Title | Recording Date | Recording Location | Company |
A Night At The Cotton Club Part 1 Cotton Club Stomp / Misty Morning (Johnny Hodges / Harry Carney / Duke Ellington) (Arthur Whetsel / Duke Ellington) | 4-12-1929 | New York, New York | Victor 741029 |
A Night At The Cotton Club Part 2 Goin’ To Town / Freeze And Melt (Bubber Miley / Duke Ellington) (Dorothy Fields / Jimmy McHugh) | 4-12-1929 | New York, New York | Victor 741029 |
Arabian Lover (Dorothy Fields / Jimmy McHugh) | 5-3-1929 | New York, New York | Victor V-38079 |
Awful Sad (Duke Ellington) | 10-20-1928 | New York, New York | Brunswick 6805 |
Bandanna Babies (Dorothy Fields / Jimmy McHugh) | 11-15-1928 | New York, New York | Victor V-38007-B |
Black Beauty (Duke Ellington) | 8-1929 | New York, New York | Anthologie du Jazz |
Black And Tan Fantasy (Bubber Miley / Duke Ellington) | 8-1929 | New York, New York | Anthologie du Jazz |
Black And Tan Fantasy (With Choir) (Bubber Miley / Duke Ellington) | 8-1929 | New York, New York | Anthologie du Jazz |
Blue Again (Dorothy Fields / Jimmy McHugh) | 11-26-1930 | New York, New York | Victor 22603 |
Breakfast Dance (Every Day) (Duke Ellington) | 11-14-1929 | New York, New York | Victor V-38115 |
Cotton Club Stomp (Duke Ellington / Johnny Hodges / Harry Carney) | 5-3-1929 | New York, New York | Victor V-38079 |
Diga Diga Doo (Dorothy Fields / Jimmy McHugh) | 11-15-1928 | New York, New York | Victor V-38008-B |
Doin’ The Frog (Dorothy Fields / Jimmy McHugh / Dan Healy) | 12-29-1927 | New York, New York | Vocalion 1153 |
Doin’ The Voom Voom (Bubber Miley / Duke Ellington) | 1-8-1929 | New York, New York | Brunswick 4345 |
Doin’ The Voom Voom (1) (Bubber Miley / Duke Ellington) | 1-16-1929 | New York, New York | Victor V-38035 |
Doin’ The Voom Voom (2) (Bubber Miley / Duke Ellington) | 1-16-1929 | New York, New York | Victor V-38035 |
Double Check Stomp (Barney Bigard / Wellman Braud / Johnny Hodges) | 4-11-1930 | New York, New York | Victor V-38129-A |
Echoes Of The Jungle | 6-16-1931 | Camden, New Jersey | Victor 22743 |
Flaming Youth (1) (Duke Ellington) | 1-16-1929 | New York, New York | Victor V-38035 |
Flaming Youth (2) (Duke Ellington) | 1-16-1929 | New York, New York | Victor V-38035 |
Goin’ To Town (Bubber Miley / Duke Ellington) | 11-20-1928 | New York, New York | Okeh 8675 |
Harlemania (Dorothy Fields / Jimmy McHugh) | 2-18-1929 | New York, New York | Victor V-38045 |
High Life (Duke Ellington) | 1-16-1929 | New York, New York | Victor V-38036 |
Hittin’ The Bottle (Ted Koeler / Harold Arlen) | 10-2-1930 | New York, New York | Victor 23016 63360-1 |
Hittin’ The Bottle (From Earl Carroll’s “Vanities”) Vocal refrain by Dick Robertson (Ted Koeler / Harold Arlen) | 10-2-1930 | New York, New York | Victor 23016-A 63360-2 |
Hot Feet (Dorothy Fields / Jimmy McHugh) | 3-7-1929 | New York, New York | Victor V-38065-A |
I Can’t Give You Anything But Love (Dorothy Fields / Jimmy McHugh) | 10-30-1928 | New York, New York | Victor V-38008-A |
I Can’t Give You Anything But Love (Dorothy Fields / Jimmy McHugh) | 11-10-1928 | New York, New York | Victor V-38008-A |
I Must Have That Man (Dorothy Fields / Jimmy McHugh) | 11-15-1928 | New York, New York | Victor V-38007-A |
I’m So In Love With You (Duke Ellington / Irving Mills) | 11-21-1930 | New York, New York | Victor 23041 |
I’m So In Love With You (Duke Ellington / Irving Mills) | 1-8-1931 | New York, New York | Clarion 5391-C |
I Was Made To Love You (Charles Tobias / Harold Veo / Doris Tauber) | 4-11-1930 | New York, New York | Victor V-38130 |
Japanese Dream (Dorothy Fields / Jimmy McHugh) | 2-18-1929 | New York, New York | Victor V-38045 |
Jazz Lips (Zonky Blues) (Duke Ellington) | 11-14-1929 | New York, New York | Victor V-38129-B |
Jungle Nights In Harlem (Duke Ellington) | 6-4-1930 | New York, New York | Victor 23022-B |
Keep A Song In Your Soul (Fats Waller / Alex Hill) | 1-16-1931 | New York, New York | Victor 22614-A |
Limehouse Blues (Douglas Furber / Philip Braham) | 6-16-1931 | Camden, New Jersey | Brunswick 22743 |
Louisiana (Andy Razaf / Harry Brooks / J.C. Johnson) | 10-17-1928 | New York, New York | Brunswick 4110 |
March Of The Hoodlums (Hoagy Carmichael) | 11-14-1929 | New York, New York | Victor V-38115 |
Memories Of You (From Lew Leslie’s “Blackbirds of 1930”) Vocal refrain by Dick Robertson (Andy Razaf / Eubie Blake) | 10-2-1930 | New York, New York | Victor 23017-A |
Mississippi (Vincent Youmans) | 9-16-1929 | New York, New York | Victor V-38089 |
Misty Mornin’ (Duke Ellington Arthur Whetsol) | 11-22-1928 | New York, New York | Okeh 8662 |
Misty Morning (Duke Ellington Arthur Whetsol) | 5-3-1929 | New York, New York | Victor V-38058-A |
Mood Indigo (Barney Bigard / Duke Ellington / Irving Mills) | 12-10-1930 | New York, New York | Victor 22587-A |
My Gal Is Good For Nothing But Love (Fats Waller / Andy Razaf) | 4-11-1930 | New York, New York | Victor V-38130 |
Nine Little Miles From Ten-Ten-Tennessee (Al Sherman / Al Lewis / Con Conrad) | 11-21-1930 | New York, New York | Victor 22586 64812-1 |
Nine Little Miles From Ten-Ten-Tennessee (Al Sherman / Al Lewis / Con Conrad) | 11-21-1930 | New York, New York | Victor 22586 64812-2 |
No Papa No (Victoria Spivey) | 10-30-1928 | New York, New York | Victor 26310 48103-1 |
No Papa No (Victoria Spivey) | 10-30-1928 | New York, New York | Victor LPV-568 48103-2 |
Old Man Blues | 6-4-1930 | New York, New York | Victor 23022-A |
Red Hot Band (Dorothy Fields / Jimmy McHugh / T. Healy) | 12-29-1927 | New York, New York | Vocalion 1153 |
Rockin’ In Rhythm (Duke Ellington / Irving Mills / Harry Carney) | 1-16-1931 | New York, New York | Okeh 8869 404804-1 |
Rockin’ In Rhythm (Duke Ellington / Irving Mills / Harry Carney) | 1-16-1931 | New York, New York | Okeh 8869 404804-2 |
Sam And Delilah (From the musical comedy “Girl Crazy”) (George Gershwin / Ira Gershwin) | 1-16-1931 | New York, New York | Victor 23036-B |
Same Train | 8-1929 | New York, New York | Anthologie du Jazz |
Saratoga Swing (Barney Bigard) | 5-3-1929 | New York, New York | Victor V-38058-B |
Saturday Night Function (Barney Bigard / Duke Ellington) | 1-16-1929 | New York, New York | Victor V-38036 |
Shout ‘Em, Aunt Tillie (Duke Ellington / Irving Mills) | 7-4-1930 | New York, New York | Victor 23041 |
Sloppy Joe (1) (Barney Bigard) | 3-7-1929 | New York, New York | Victor V-38065-B 49769-1 |
Sloppy Joe (2) (Barney Bigard) | 3-7-1929 | New York, New York | Victor V-38065-B 49769-2 |
Stevedore Stomp (Duke Ellington / Irving Mills) | 3-7-1929 | New York, New York | Victor V-38053-A |
Swanee Shuffle (Irving Berlin) | 9-16-1929 | New York, New York | Victor V-38089 |
Sweet Dreams Of Love (Duke Ellington / Irving Mills) | 7-4-1930 | New York, New York | Victor V-38143 62192-1 |
Sweet Dreams Of Love (Duke Ellington / Irving Mills) | 7-4-1930 | New York, New York | Victor V-38143 62192-2 |
Sweet Jazz Of Mine (Duke Ellington) | 7-4-1930 | New York, New York | Victor V-38143 62194-1 |
Sweet Jazz Of Mine (Duke Ellington) | 7-4-1930 | New York, New York | Victor V-38143 62194-2 |
That Lindy Hop (From Lew Leslie’s “Blackbirds of 1930”) (Andy Razaf / Eubie Blake) | 10-2-1930 | New York, New York | Victor 23016-B |
The Blues With A Feeling (Duke Ellington) | 11-20-1928 | New York, New York | Okeh 8662 |
The Dicty Glide (Duke Ellington) | 3-7-1929 | New York, New York | Victor 741029 49767-1 |
The Dicty Glide (Duke Ellington) | 3-7-1929 | New York, New York | Victor V-38053-B 49767-2 |
The Duke Steps Out (Duke Ellington / Johnny Hodges / Cootie Williams) | 8-1929 | New York, New York | Anthologie du Jazz |
The Mooche (Duke Ellington / Irving Mills) | 10-17-1928 | New York, New York | Brunswick 4122 |
The Mooche (Duke Ellington / Irving Mills) | 10-30-1928 | New York, New York | Victor V-38034-A |
The River And Me (Harry Warren / Al Dubin) | 1-16-1931 | New York, New York | Victor 22614-B |
Tiger Rag (Part 1) (Nick LaRocca) | 1-8-1929 | New York, New York | Brunswick 4238-A E-28940-A |
Tiger Rag (Part 1) (Nick LaRocca) | 1-8-1929 | New York, New York | Brunswick 4238-A E-28940-B |
Tiger Rag (Part 2) (Nick LaRocca) | 1-8-1929 | New York, New York | Brunswick 4238-B E-28941-A |
What Good Am I Without You (Duke Ellington) | 11-26-1930 | New York, New York | Victor 741068 |
What Good Am I Without You (Duke Ellington) | 12-10-1930 | New York, New York | Victor 22586 |
When A Black Man’s Blue (Duke Ellington) | 11-26-1930 | New York, New York | Victor 22587-B |
When A Black Man’s Blue (Duke Ellington) | 12-10-1930 | New York, New York | Victor 22587-B |
You’re Lucky To Me (From Lew Leslie’s “Blackbirds of 1930”) Vocal refrain by Dick Robertson (Andy Razaf / Eubie Blake) | 10-2-1930 | New York, New York | Victor 23017-B |
Artist | Instrument |
Smith Ballew | Vocals |
Barney Bigard | Clarinet, Tenor Saxophone |
Wellman Braud | Bass |
Chick Bullock | Vocals |
Teddy Bunn | Guitar |
Harry Carney | Clarinet, Alto and Baritone Saxophone |
Baby Cox | Vocals |
Duke Ellington | Piano |
Sid Garry | Vocals |
Goody Goodwin | Vocals |
Sonny Greer | Chimes, Drums, Vocals |
Fred Guy | Banjo |
The Hall Johnson Choir | Vocals |
Otto Hardwick | Alto and Soprano Saxophone |
Johnny Hodges | Clarinet, Alto, and Soprano Saxophone |
Rudy Jackson | Clarinet, Tenor Saxophone |
Freddy Jenkins | Trumpet |
Lonnie Johnson | Guitar |
Joe Nanton | Trombone |
Frank Marvin | Vocals |
Louis Metcalf | Trumpet |
Bubber Miley | Trumpet |
Irving Mills | Vocals |
Benny Paine | Vocals |
Dick Robertson | Vocals |
Billy Smith | Vocals |
Billy Taylor | Tuba |
Juan Tizol | Valve Trombone |
Ozzie Ware | Vocals |
Arthur Whetsel | Trumpet |
Cootie Williams | Trumpet, Vocals |
Harry White | Trombone |
Title | Director | Year |
Black And Tan Fantasy | Dudley Murphy | 1929 |
The Cotton Club by Jim Haskins, Hippocrene Boooks, 1977 |