Hociel made her first records fronting a group led by her younger uncle, Hersal Thomas, in early 1925, and their duet recording made at Okeh, “Worried Down with the Blues,” did well. When Louis Armstrong came back to Chicago after a year-long stint with Fletcher Henderson, he recorded with Hersal Thomas in a session backing Hociel; the next day the first “Hot Five” sides were made. But these records with Armstrong, for various reasons, were not the best showcase for Hociel Thomas’ talents, leading to her reputation among jazz buffs that she was not a good singer. She would do better in a trio session with Armstrong and Hersal Thomas held in February, 1926, but these would prove her last records for two decades. Hersal Thomas died later that year at the age of 20, and Hociel dropped out of show business.
In 1946 Hociel Thomas turned up in Oakland, California, and was recorded by Rudi Blesh’s Circle Records singing, playing piano and in duets with Mutt Carey. Her work on these records is extraordinary – she was a soulful, “seen it all” vocalist and her piano playing is strongly rooted in the tradition of her father. For some months she joined the San Francisco revival scene and appeared with Kid Ory’s Creole Orchestra. But this all came to end when Thomas was charged with murder after a fight with one her sisters turned fatal, blinding Hociel in the process. Although Hociel Thomas was acquitted of these charges, she only outlived her release from jail by a couple of years. Hociel Thomas was a pioneer of jazz who was in all practical purposes present right after its birth, and in the center of it. But for Thomas, the spotlight shone none too brightly, and only once in awhile. -by Uncle Dave Lewis
Hociel Thomas accompanied by Louis Armstrong’s Jazz Four |
Title | Recording Date | Recording Location | Company |
Deep Water Blues (Thomas) | 2-24-1926 | Chicago, Illinois | Okeh 8297 |
Fish Tail Dance | 6-1925 | Chicago, Illinois | Okeh 8222 |
G’wan I Told You (Blair / Lethwick) | 2-24-1926 | Chicago, Illinois | Okeh 8346 |
I Can’t Feel Frisky Without My Liquor (Negro Blues) (Hunter / Thomas) | 4-6-1925 | Richmond, Indiana | Gennett 3004-A Buddy 8020 |
I Must Have It | 4-6-1925 | Richmond, Indiana | Gennett 3006 Buddy 8020 |
Listen To Ma (Thomas) | 2-24-1926 | Chicago, Illinois | Okeh 8346 |
Lonesome Hours (Thomas) | 2-24-1926 | Chicago, Illinois | Okeh 8297 |
Worried Down With The Blues | 4-6-1925 | Richmond, Indiana | Gennett 3006 Buddy 8021 |
Worried Down With The Blues | 6-1925 | Chicago, Illinois | Okeh 8222 |
Artist | Instrument |
Louis Armstrong | Cornet |
Hersal Thomas | Piano |
Redhotjazz.com was a pioneering website during the "Information wants to be Free" era of the 1990s. In that spirit we are recovering the lost data from the now defunct site and sharing it with you.
Most of the music in the archive is in the form of MP3s hosted on Archive.org or the French servers of Jazz-on-line.com where this music is all in the public domain.
Files unavailable from those sources we host ourselves. They were made from original 78 RPM records in the hands of private collectors in the 1990s who contributed to the original redhotjazz.com. They were hosted as .ra files originally and we have converted them into the more modern MP3 format. They are of inferior quality to what is available commercially and are intended for reference purposes only. In some cases a Real Audio (.ra) file from Archive.org will download. Don't be scared! Those files will play in many music programs, but not Windows Media Player.