London Calling: The Next Traditional Jazz Revival in Britain

Hot Jazz Catches On, Again As promised when we left Europe back in August (See: Grand European Tour) we’ve returned to catch up with the UK. Britain was unique during the jazz revival period of the 50’s and 60’s in the wild popularity “Trad Jazz” achieved there, airing on pop radio and even being recognized as a unique local style of the music. Subsequently, and perhaps because of that early success, traditional jazz has been slower to re-emerge than it has in other parts of the world. But emerge it has, around a core group of extremely talented young artists who are now inspiring others to follow their lead. Man Overboard Quintet Down in the Deep Deep Blue Champshillrecords.co.uk  This is the second studio effort from a hot swing ensemble built on the collaboration between reed superstar Ewan Bleach and classically trained violinist Thomas Gould. An electric and distinct feel is created by their back and forth. The violin makes the difference. This isn't gypsy jazz, Gould often fits into the band the way a cornet or trombone might, but with that unique violin character. When he makes a hot rhythmic drone at the opening of "I Hate Myself For Being Mean to You" the result is so vital you'll be pleased the instrument is becoming more common in trad bands. Several fully instrumental tracks give space to Gould and Bleach's interactions with each other as well a