Little to nothing is known about Jackson’s personal life, other than that he was born in New Orleans around 1890 where it is presumed that he began playing a six-string banjo tuned like a guitar, similar to the instrument used by Johnny St. Cyr. Jackson settled in Chicago on the famed Maxwell Street around 1920 where he began earning a living by playing on street corners and at house parties. In 1924 he cut his first solo sides “Papa’s Lawdy Blues” and “Airy Man Blues” for the Paramount label.
During this period Jackson also became a sideman with many of the hot groups in and around Chicago. In July 1926 Jackson was providing the banjo on “Salty Dog” and “Stockyard Strut” for Freddie Keppard and his Jazz Cardinals which featured another New Orleans stalwart Johnny Dodds on clarinet. Jackson also recorded with two of Tiny Parham’s bands “Tiny Parham and his “Forty” Fives and Tiny Parham and his Musicians with whom he recorded between 1927 and 1930. Parham’s band also featured Punch Miller, Kid Ory and a young Milt Hinton on tuba.
Jackson was the first really successful self accompanied performer and he has the distinction of being one of the creators of “Hokum”, a spicy form of popular song that made repeated and continual references to sex, his most popular composition being “Shake That Thing”. He also recorded with Ma Rainey and Ida Cox before his subsequent death around 1938.
Jackson’s style as a soloist was unique and sophisticated for the period. It ran the gamut from hot chordal solos and single-note plectrum runs a la Lonnie Johnson or Eddie Lang, to the finger picking styles of the rural blues guitarist. He often used fast chordal runs behind his vocals following the melody closely, which gave his songs more bounce and swing. Due to his early death Jackson seems to have fallen through the cracks and is all but forgotten today by critics and historians. Instrumentally he resides on the same plateau with Lonnie Johnson and Teddy Bunn and is one pioneer who deserves wider recognition. —by Ted Gottsegen
[The audio files in the original Red Hot Jazz Archive for Papa Charlie Jackson were corrupted. If you have copies of these recordings taken directly from the original 78 discs rather than a published reissue please let us know.]
Ida Cox and Papa Charlie Jackson |
Title | Recording Date | Recording Location | Company |
Airy Man Blues (Charlie Jackson) | 8-1924 | Chicago, Illinois | Paramount 12219-B |
All I Want Is A Spoonful (William H.Jackson) | 9-1925 | Chicago, Illinois | Paramount 12320-A |
Ash Tray Blues | 5-1928 | Chicago, Illinois | Paramount 12660-A |
Baby Papa Needs His Loving | 6-1928 | Chicago, Illinois | Paramount 12675 |
Baby Please Loan Me Your Heart (Charlie Jackson) | 1-1929 | Chicago, Illinois | Paramount 12736 |
Baby, Don’t You Be So Mean (Charlie Jackson) | 10-1927 | Chicago, Illinois | Paramount 12553-B |
Bad Luck Woman (Aletha Dickerson) | 8-1926 | Chicago, Illinois | Paramount 12383-B |
Blue Monday Morning Blues (Charlie Jackson) | 11-1927 | Chicago, Illinois | Paramount 12574 |
Bright Eyes (Charlie Jackson) | 11-1927 | Chicago, Illinois | Paramount 12574 |
Butter And Egg Man Blues (Everett Murphy) | 2-1926 | Chicago, Illinois | Paramount 12358-B |
Coal Man Blues (Charlie Jackson) | 3-1927 | Chicago, Illinois | Paramount 12461-A |
Coffee Pot Blues (Charlie Jackson) | 2-1925 | Chicago, Illinois | Paramount 12264 |
Corn Liquor Blues (Charlie Jackson) | 12-1928 | Chicago, Illinois | Paramount 12721-B |
Don’t Break Down On Me (Charlie Jackson) | 1-1929 | Chicago, Illinois | Paramount 12736 |
Drop That Sack (Charlie Jackson) | 5-1925 | Chicago, Illinois | Paramount 12289-B |
Faking Blues (Charlie Jackson / Mayo Williams) | 5-1925 | Chicago, Illinois | Paramount 12281-A |
Fat Mouth Blues (Charlie Jackson / Mayo Williams) | 1-1927 | Chicago, Illinois | Paramount 12422-A |
Forgotten Blues (Charlie Jackson) | 11-1929 | Grafton, Wisconsin | Paramount 12853 |
Four Eleven 44 (Ezra Shelton) | 5-1926 | Chicago, Illinois | Paramount 12375 |
Gay Catting (Charlie Jackson / L. Harris) | 9-1926 | Chicago, Illinois | Paramount 12422-B |
Good Doing Papa Blues | 9-1928 | Chicago, Illinois | Paramount 12700-B |
Hot Papa Blues (Gertrude Davis) | 8-1925 | Chicago, Illinois | Paramount 12305-B |
Hot Papa Blues (Gertrude Davis) | 3-1929 | Chicago, Illinois | Paramount 12765 |
I Got What It Takes (But It Breaks My Heart To Give It Away) (Jackson / Davis) | 1-1925 | Chicago, Illinois | Paramount 12259-B |
If I Got What You Want | 11-3-1934 | Chicago, Illinois | Okeh 8957 Vocalion 03048 B |
I Like To Love My Baby | 6-1928 | Chicago, Illinois | Paramount 12675 |
I’ll Be Gone Babe (Charlie Jackson) | 11-1929 | Grafton, Wisconsin | Paramount 12905-B |
I’m Alabama Bound (Charlie Jackson) | 5-1925 | Chicago, Illinois | Paramount 12289-A |
I’m Going Where Chilly Winds Don’t Blow (Paul Carter) | 12-1925 | Chicago, Illinois | Paramount 12335-A |
I’m Looking For A Woman Who Knows How To Treat Me Right | 1-1928 | Chicago, Illinois | Paramount 12602-A |
I’m Tired Of Foolin Around (Evelyn Riley) | 1-1926 | Chicago, Illinois | Paramount 12348-A |
If I Got What You Want | 11-03-34 | Chicago, Illinois | Vocalion 03048 B Okeh 8957 |
Jackson Blues (Charlie Jackson) | 1-1925 | Chicago, Illinois | Paramount 12348-B |
Judge Cliff Davis Blues | 4-1926 | Chicago, Illinois | Paramount 12366 |
Jungle Man Blues (A. Lamoore) | 12-1928 | Chicago, Illinois | Paramount 12721-A |
Let’s Get Along (Aletha Dickerson) | 12-1926 | Chicago, Illinois | Paramount 12358-A |
Lexington Kentucky Blues | 9-1928 | Chicago, Illinois | Paramount 12700-A |
Long Gone Lost John (W.C. Handy / Chris Smith) | 1-1928 | Chicago, Illinois | Paramount 12602-B |
Look Out Papa Don’t Tear Your Clothes (Charlie Jackson) | 10-1927 | Chicago, Illinois | Paramount 12553-A |
Mama Don’t Allow It (And She Ain’t Gonna Have It Here) (William Henry Jackson) | 8-1925 | Chicago, Illinois | Paramount 12296-A |
Mama, Don’t You Think I Know? (William Henry Jackson) | 8-1925 | Chicago, Illinois | Paramount 12305-A |
Maxwell Street Blues (Sara Moore / Charlie Jackson) | 9-1925 | Chicago, Illinois | Paramount 12320-B |
Mumsy Mumsy Blues (Charlie Jackson) | 2-1926 | Chicago, Illinois | Paramount 12366 |
No Need Of Knockin’ On The Blind (Charlie Jackson) | 5-1928 | Chicago, Illinois | Paramount 12660 |
Papa Charlie And Blind Blake Talk About It (Part 1) (Charlie Jackson / Arthur Blake) | 9-1929 | Grafton, Wisconsin | Paramount 12911-A |
Papa Charlie And Blind Blake Talk About It (Part 2) (Charlie Jackson / Arthur Blake) | 9-1929 | Grafton, Wisconsin | Paramount 12911-B |
Papa Do Do Blues (Charlie Jackson) | 11-1929 | Grafton, Wisconsin | Paramount 12905-A |
Papa Lawdy Lawdy Blues (Charlie Jackson) | 8-1924 | Chicago, Illinois | Paramount 12219-A |
Salt Lake City Blues (Gertrude Davis) | 8-1924 | Chicago, Illinois | Paramount 12236-A |
Salty Dog Blues (Charlie Jackson) | 9-1924 | Chicago, Illinois | Paramount 12236-B |
Self Experience (Charlie Jackson) | 5-26-1930 | Grafton, Wisconsin | Paramount 12956-B |
Shake That Thing (Charlie Jackson) | 5-1925 | Chicago, Illinois | Paramount 12281-B |
Shave Em Dry (Charlie Jackson) | 2-1925 | Chicago, Illinois | Paramount 12264 |
She Belongs To Me (Charlie Jackson) | 3-1927 | Chicago, Illinois | Paramount 12461-B |
Sheik Of Desplanes Street (Charlie Jackson) | 7-1927 | Chicago, Illinois | Paramount 12501-B |
Skoodle-Um-Skoo (Charlie Jackson) | 7-1927 | Chicago, Illinois | Paramount 12501-A |
Skoodle-Um-Skoo (Charlie Jackson) | 11-3-1934 | Chicago, Illinois | Okeh 8954 |
Tailor Made Lover (LaMoore) | 7-1929 | Chicago, Illinois | Paramount 12797-A |
Tain’t What You Do But How You Do It | 11-1929 | Grafton, Wisconsin | Paramount 12853-A |
Take Me Back Blues (Charlie Jackson) | 8-1925 | Chicago, Illinois | Paramount 12296-B |
Take Me Back Blues (Charlie Jackson) | 7-1929 | Chicago, Illinois | Paramount 12797-B |
Talk About It | 11-1929 | Chicago, Illinois | Paramount 12911-B |
Texas Blues (Charlie Jackson / Everett) | 12-1925 | Chicago, Illinois | Paramount 12335-B |
The Cat’s Got The Measles (Murphy / Smiley) | 1-1925 | Chicago, Illinois | Paramount 12259-A |
The Faking Blues (Charlie Jackson / Mayo Williams) | 5-1925 | Chicago, Illinois | Paramount 12281-A |
Up The Way Bound (Lillian Brown) | 5-1926 | Chicago, Illinois | Paramount 12375 |
We Can’t Buy It No More (Charlie Jackson) | 3-1929 | Chicago, Illinois | Paramount 12765-B |
What’s That Thing She’s Shaking | 11-26-1934 | Chicago, Illinois | Okeh 8954 |
You Got That Wrong (Charlie Jackson) | 5-26-1930 | Grafton, Wisconsin | Paramount 12956-A |
You Put It In, I’ll Take It Out (Charlie Jackson) | 11-26-1934 | Chicago, Illinois | Vocalion 03048 A Okeh 8957 |
Your Baby Ain’t Sweet Like Mine (Charlie Jackson / Mayo Williams) | 8-1926 | Chicago, Illinois | Paramount 12383-A |