The Jean Goldkette Orchestra featured some of the best White Jazz musicians of the 1920s. According to almost all that saw them when they played live
Some of these recordings appeared under the names The New Orleans Lucky Seven, or Bix Beiderbecke‘s Lucky Seven. Title Recording Date Recording Location Company At
In 1929, after suffering a nervous breakdown Bix Beiderbecke went back to his hometown of Davenport, Iowa to recover at his parents home. He returned to New
Right after quitting the Wolverines to join Jean Goldkette, Bix and three other members of the Wolverines teamed up with Frankie Trumbauer and Miff Mole of the Jean Goldkette Orchestra to record this session. This was the first
Title Recording Date Recording Location Company For No Reason at All in C (Frankie Trumbauer / Bix Beiderbecke) 5-13-1927 New York, New York Okeh 40871 Columbia 35667
Frankie Trumbauer had one of the most original and modern jazz bands of the 1920s and early 1930s. They were never that successful financially, which led Trumbauer to
While Bix was working for the Charley Straight Orchestra in 1925, he recorded this session with friends from the Jean Goldkette Orchestra at Gennett Studio, in Richmond Indiana. This was the
Title Recording Date Recording Location Company Daddy Change Your Mind (Wilson / Frank Guarente) 4-23-1929 New York, New York Okeh 41422 You Can’t Cheat A
The Travelers was a pseudonym for the The Dorsey Brothers Orchestra. Title Recording Date Recording Location Company Am I Blue? (Harry Akst / Grant Clarke) 4-3-1929
Title Recording Date Recording Location Company Lover, Come Back To Me Part 1 (Hammerstein II / Romberg) 4-3-1929 New York, New York Okeh 41223 Lover,
V-DISCs were made for USA servicemen during World War II between the years of 1943 to 1949 and shipped to military units around the world
Also See: Muggsy Spanier and his Ragtime Band, and Joseph “Muggsy” Spanier (1906-1967) Title Recording Date Recording Location Company Alice Blue Gown (Tierney / McCarthy) 4-1944
The story of the Ragtimers is short, brilliant, and the wind-up is anything but happy. It starts in a hospital and ends against a dead
Title Recording Date Recording Location Company Daddy Come Back 6-5-1926 New York, New York Vocalion 1025 I’ve Got Somebody Now 6-5-1926 New York, New York
Title Recording Date Recording Location Company Chicago Policemen Blues 5-14-1926 New York, New York Vocalion 1021 Here Comes My Baby 5-14-1926 New York, New York
As Flora Dale on Domino Title Recording Date Recording Location Company Everything My Sweetie Does 2-1925 New York, New York Ajax 17116 Domino 3504 Regal
Title Recording Date Recording Location Company An’ I Don’t Mean If! 12-28-1928 New York, New York Vocalion 15215 You Can’t Be Like My Last Man
Title Recording Date Recording Location Company I Can’t Get The One I Want (Fred Rose / Herman Ruby / Lou Handman) 7-1924 New York, New
Title Recording Date Recording Location Company Do That Thing 5-28-1924 New York, New York Vocalion 14838 Artist Instrument Elmer Chambers Cornet Charlie Dixon Banjo Ralph
Title Recording Date Recording Location Company Back Woods Blues 5-1924 New York, New York Emerson 10763 Four-Flushin’ Papa 5-1924 New York, New York Emerson 10763
Title Recording Date Recording Location Company Clearing House Blues (Honraty / Webb / Durvo) 4-3-1924 New York, New York Brunswick 2612-A I’m A Good Gal
Rosa Henderson is accompanied by the Virginians on this song. The Virginians in this case were a subset of the Paul Whiteman Orchestra. The label of Victor 19157-A didn’t let the
Title Recording Date Recording Location Company Don’t Advertise Your Man (Jimmy Foster) 3-1924 New York, New York Edison 51476-R Undertaker’s Blues (“Duke” Jordan) 11-21-1924 New
Title Recording Date Recording Location Company Cocoanut Strut (Bob Fuller / Myers) 8-20-1925 New York, New York Harmony 23-H Corn Bread Wiggle (Bob Fuller / Myers) 8-20-1925
