

Title | Recording Date | Recording Location | Company |
Atlanta Blues (W.C.Handy / Dave Elman) |
8-1-1923 | New York, New York | Okeh 8090 |
Beaucoupe De Jazz | 8-7-1923 | New York, New York | Okeh 4940 |
Blind Man Blues (E. Green / B. McLaurin) |
8-1-1923 | New York, New York | Okeh 8090 |
Brother Ben (Spencer Williams / Fats Waller) |
3-25-1926 | New York, New York | Okeh 8442-B |
Carless Man Blues (Clarence Todd) |
3-25-1926 | New York, New York | Okeh 8325-A |
Cushion Foot Stomp (Clarence Williams) |
4-9-1927 | New York, New York | Okeh 8461 |
Eagle Rock Me, Papa (Thomas A. Dorsey / Queen Jones / Lloyd Dorsey) |
9-29-1924 | New York, New York | Okeh 8203-A |
How Could I Be Blue? (Andy Razaf / Dan Wilson) |
3-25-1926 | New York, New York | Okeh 8442-B |
I Want Every Bit Of It, I Don’t Like It Second Hand (Clarence Williams / Spencer Williams) |
3-20-1926 | New York, New York | Okeh 8336-A |
Take Your Black Bottom Outside (Clarence Williams / Green) |
4-9-1927 | New York, New York | Okeh 8461 |
The Prisoner’s Blues (Spencer Williams) |
3-25-1926 | New York, New York | Okeh 8442-A |
Things Done Got Too Thick (Clarence Williams) |
9-29-1924 | New York, New York | Okeh 8203-B |
Those Blues | 8-7-1923 | New York, New York | Okeh 4940 |
What’s The Matter Now? (Clarence Williams / Spencer Williams) |
3-20-1926 | New York, New York | Okeh 8336-B |
Your Going Ain’t Giving Me The Blues (Sara Martin / Clarence Williams) |
New York, New York | Okeh 8270-B |

Artist | Instrument |
Sidney Bechet | Soprano Saxophone |
Buddy Christain | Banjo |
Sara Martin | Vocals |
John Mayfield | Trombone |
Tom Morris | Cornet |
Clarence Williams | Piano |