The Jungle Band was a pseudonym for the Duke Ellington Orchestra.
| Title | Recording Date | Recording Location | Company |
| Accordion Joe (Dale Wimbrow / Charles Cornell) |
4-22-1930 | New York, New York | Brunswick 4783 E-32613-A |
| Accordion Joe (Dale Wimbrow / Charles Cornell) |
4-22-1930 | New York, New York | Brunswick 4783 E-32613-B |
| Admiration (W.H. Tyers) |
3-20-1930 | New York, New York | Brunswick 4776 |
| Cincinnati Daddy (Duke Ellington) |
12-10-1929 | New York, New York | Decca GRD-3-640 |
| Cotton Club Stomp (Duke Ellington / Johnny Hodges / Harry Carney) |
4-22-1930 | New York, New York | Brunswick 4887 E-32614-A |
| Cotton Club Stomp (Duke Ellington / Johnny Hodges / Harry Carney) |
4-22-1930 | New York, New York | Brunswick 4887 E-32614-B |
| Creole Rhapsody Part 1 | 1-20-1931 | New York, New York | Brunswick 6093 E-35939-A |
| Creole Rhapsody Part 2 | 1-20-1931 | New York, New York | Brunswick 4887 E-35940-A |
| Double Check Stomp (Barney Bigard) |
4-22-1930 | New York, New York | Brunswick 4783 |
| Harlem Flat Blues (Duke Ellington) |
3-1-1929 | New York, New York | Brunswick 4309 |
| Home Again Blues (Irving Berlin / Harry Akst) |
10-27-1930 | New York, New York | Brunswick 6003 |
| Jazz Convulsions (Duke Ellington) |
9-13-1929 | New York, New York | Brunswick 4705 |
| Jolly Wog (Duke Ellington) |
9-13-1929 | New York, New York | Brunswick 4705 |
| Jungle Jamboree (From Connies “Hot Chocolates) (Andy Razaf / Harry Brooks / Fats Waller) |
7-29-1929 | New York, New York | Brunswick 4492 |
| Maori (Foxtrot) (W.H. Tyers) |
2-21-1930 | New York, New York | Brunswick unissued |
| Maori (Rhumba) (a) (W.H. Tyers) |
3-20-1930 | New York, New York | Brunswick 6812 |
| Maori (Rhumba) (b) (W.H. Tyers) |
3-20-1930 | New York, New York | Brunswick 4776 |
| Mood Indigo (Duke Ellington / Barney Bigard / Irving Mills) |
10-17-1930 | New York, New York | Brunswick 4952 |
| Paducah (Don Redman) |
3-1-1929 | New York, New York | Brunswick 4309 |
| Rent Party Blues (Duke Ellington / Johnny Hodges) |
3-1-1929 | New York, New York | Brunswick 4345 |
| Rockin’ Chair (Hoagy Carmichael) |
1-14-1931 | New York, New York | Brunswick 6732 |
| Rockin’ In Rhythm (Duke Ellington / Harry Carney / Irving Mills) |
1-14-1931 | New York, New York | Brunswick 6038 |
| Runnin’ Wild (Joe Grey / Leo Wood / A. Harrington Gibbs) |
10-17-1930 | New York, New York | Brunswick 4952 |
| Sweet Mama (Duke Ellington / Irving Mills) |
12-10-1929 | New York, New York | Brunswick 4760 |
| Twelfth Street Rag (James. S. Sumner / Euday L. Bowman) |
1-14-1931 | New York, New York | Brunswick 6038 |
| Wall Street Wail (Duke Ellington / Irving Mills) |
12-10-1929 | New York, New York | Brunswick 4887 E-31509-A |
| Wall Street Wail (Duke Ellington / Irving Mills) |
12-10-1929 | New York, New York | Brunswick 4887 E-31509-B |
| Wang Wang Blues (Gus Mueller / Bert Johnson / Henry Busse) |
10-27-1930 | New York, New York | Brunswick 6003 |
| (What Did I Do To Be So) Black And Blue (From Connies “Hot Chocolates) (Andy Razaf / Harry Brooks / Fats Waller) |
7-29-1929 | New York, New York | Brunswick 4492 |
| When You’re Smiling (Mark Fisher / Joe Goodwin / Larry Shay) |
3-20-1930 | New York, New York | Brunswick 4760 E-32447-A |
| When You’re Smiling (Mark Fisher / Joe Goodwin / Larry Shay) |
3-20-1930 | New York, New York | Brunswick 4760 E-32447-B |
| Artist | Instrument |
| Barney Bigard | Clarinet, Tenor Saxophone |
| Wellman Braud | Bass |
| Harry Carney | Clarinet, Alto and Baritone Saxophone |
| Duke Ellington | Piano |
| Sonny Greer | Drums, Tamborine |
| Fred Guy | Banjo |
| Johnny Hodges | Clarinet, Saprano and Alto Saxophone |
| Freddy Jenkins | Trumpet |
| Frank Marvin | Vocals |
| Irving Mills | Vocals |
| Joe Nanton | Trombone |
| Benny Paine | Vocals |
| Dick Robertson | Vocals |
| Cornell Smelser | Piano, Arranger |
| Juan Tizol | Valve Trombone |
| Arthur Whetsel | Trumpet |
| Cootie Williams | Trumpet, Vocals |
Redhotjazz.com was a pioneering website during the "Information wants to be Free" era of the 1990s. In that spirit we are recovering the lost data from the now defunct site and sharing it with you.
Most of the music in the archive is in the form of MP3s hosted on Archive.org or the French servers of Jazz-on-line.com where this music is all in the public domain.
Files unavailable from those sources we host ourselves. They were made from original 78 RPM records in the hands of private collectors in the 1990s who contributed to the original redhotjazz.com. They were hosted as .ra files originally and we have converted them into the more modern MP3 format. They are of inferior quality to what is available commercially and are intended for reference purposes only. In some cases a Real Audio (.ra) file from Archive.org will download. Don't be scared! Those files will play in many music programs, but not Windows Media Player.
