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Benny Goodman (1909-1986)

Benny GoodmanBorn into a large, poverty stricken family, Benny Goodman (May 30, 1909 – June 13, 1986) began playing the clarinet at an early age. He was associated with the Austin High School Gang, having gone to school with drummer Dave Tough.

By the time he was twelve, Goodman appeared onstage imitating famous bandleader/clarinetist Ted Lewis. It was at this concert that Ben Pollack heard the young clarinetist and Benny was soon playing in Pollack’s band. Goodman’s first recordings were made with the Pollack group in 1926, and give a strong example of Benny’s influences at the time including Jimmie Noone, who was then with Doc Cook and His Dreamland Orchestra and Leon Roppolo of the New Orleans Rhythm Kings. During this period Goodman recorded his first sides as a leader with members of the Pollack band including one 1928 date which features the only known recording of Benny on alto and baritone saxophones.

Following the musical migration out of Chicago and into New York, Goodman became a very successful and popular free-lancer, joining the likes of Tommy and Jimmy Dorsey in New York studios. In 1934 Benny put together his first big band, featuring Bunny Berigan on trumpet, Jess Stacey on piano and Gene Krupa on drums. With the addition of some excellent, sophisticated arrangements by Fletcher Henderson, the “Swing Era” was born.

Goodman spent the next fifty years recording and touring with various groups big and small, including some very successful trips to Russia and the Far East. He also played many concerts on a classical format that received mixed reviews.

Benny Goodman at Carnegie 1938
Benny Goodman, clarinet; Lionel Hampton, vibes; Teddy Wilson, piano; Gene Krupa, drums. The quartet was widely popular and the first major integrated jazz group to perform publicly. (Integrated groups had recorded even in the 20’s.).

Known by musicians for his stand-offish and “cheap” nature, many sidemen had a love/hate relationship with Goodman. Many musicians claimed that Benny was dishonest when it came time to pay off the band and many more recalled the Goodman “ray”, the dirtiest of looks received when a mistake was made. That aside, its clear that without Goodman the “Swing Era” would have been nowhere near as strong when it came, if it came at all.

After his death, the Yale University library received the bulk of Goodman’s personal collection including many private never-before-heard recordings and rare unpublished photos.- by Ted Gottsegen

Thanks to Richard Unger for the recordings on this page.

Also Read: Benny Goodman: Profile in Jazz

Benny Goodman’s BoysBenny Goodman and his Orchestra

TitleRecording DateRecording LocationCompany
Clarinettis6-13-1928Chicago, IllinoisVocalion
That’s A Plenty
(Lew Pollack / Ray Gilbert)
6-13-1928Chicago, IllinoisVocalion

Bob ConselmanDrums
Mel StitzelPiano

The Big Broadcast of 1937Mitchell Leisen1936
Hollywood HotelBusby Berkeley1937
SyncopationWilliam Dieterle1942
The Powers GirlNorman Z. McLeod1942
The Gang’s All HereBusby Berkeley1943
Sweet and LowdownArchie Mayo1944
A Song Is BornHoward Hawks1948
Åke Hasselgård StoryJonas Sima1983


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