red hot jazz jazzbanner

Peter Bocage (1897-1967)
Multi-instrumentalist Peter Bocage (31 July 1887 – 3 December 1967) was one of the great trumpeters in New Orleans history and ironically did not consider himself a jazz player, rather a ragtime musician.

Superior Orchestra 1910
The Superior Orchestra, 1910. Standing, left to right: Buddy Johnson, trombone; Willie “Bunk” Johnson, cornet; “Big Eye” Louis Nelson Delisle, clarinet; Billy Marrero, string bass. Seated, left to right: Walter Brundy, drums; Peter Bocage, violin & leader; Richard Payne, guitar.

He got his start on the violin, although he did play mandolin, guitar, banjo, trumpet, baritone horn, xylophone and trombone. Listening to the records he made in the 1960’s reveals the differences between the downtown “orthodox” ragtime orchestras and the uptown “syncopators”. Bocage came from the downtown school and preferred soft, melodic playing as opposed to the hotter or as he referred to them “vicious” styles as played by Buddy BoldenFreddie Kepperd and later work by Bunk Johnson, a former pupil.

Born into a prosperous Creole family in Algiers across the river from New Orleans, Bocage began taking violin lessons at 13. He was soon playing local parties with his father’s group, but soon began playing with various groups in Storyville. At 21, Bocage became the leader and violinist for the Superior Orchestra, which at the time was one of the city’s most popular ragtime bands and featured Bunk Johnson on cornet. Bocage is considered responsible for Bunk’s learning to read music.

Peter Bocage
Image Credit: Hurley, Jack

During this period Bocage also saw and heard Buddy Bolden’s band, as well as a band led by Freddie Keppard, both of whom he considered inferior to Bunk. In 1910 Bocage joined Frankie Dusen’s Eagle Band on violin which was essentially the Bolden band without Buddy. Bocage began learning the trumpet and with Fate Marable in 1917 formed the first inter-racial band on the Strekfus line.

Throughout this period Bocage played with a who’s who of New Orleans brass and dance bands, many of which contained the most famous musicians ever produced in the Crescent City. In 1918 he played in both the Onward band which included Joe “King” Oliver and Henry Allen Sr.’s band. He also became a regular member of the Tuxedo Orchestra, which included Louis Armstrong. In 1922 he took over leadership of the Excelsior band which he continued to lead up until the band’s demise in 1932. He kept the entire working stock of band marching and dancing arrangements and neither he, nor his family after his death have ever let anyone copy the documents.

In 1923 Bocage rejoined Piron’s New Orleans Orchestra and with the help of Clarence Williams went to New York for a brief residency at the Cotton Club. The band also recorded for Okeh and Victor. Both songs were rejected and remain unissued. Piron’s New Orleans Orchestra did record 13 sides in 1925 and again in 1932 for Victor as the Creole Serenaders.

In 1939, Bocage made his living in the insurance business and briefly left New Orleans to take Bunk Johnson’s place with Sidney Bechet’s group in Boston. As the New Orleans revival of the 1940’s came to a head, Bocage recorded with some of the old-time New Orleans musicians as the Jazz Pioneers as well as playing with Henry Allen Sr.’s brass band in Algiers.

Throughout 50’s and 60’s Bocage led various incarnations of the Creole Serenaders, and released an album on Riverside 60’s for Riverside called: “Loves-Jiles Ragtime Orchestra/Creole Serenaders” and was becoming an important part in the early Preservation Hall until his death in 1967 at the age of 80.-by Ted Gottsegen

See: Barnes Bocage Big Five – 1954

band or session leader

Creole Serenaders


The site supplying most of the MP3 files to the Red Hot Jazz Archive pages on is down and many links no longer work. You may find the original and download all of the original RealMedia .ra music files on the WayBackMachine at