Title | Recording Date | Recording Location | Company |
Down Hearted Blues (Introducing “Chirpin’ The Blues”) (Lovie Austin / Alberta Hunter) | 6-7-1923 | New York, New York | Victor 19094-B |
Gulf Coast Blues – Sugar Blues Medley Fox Trot (Clarence Williams) | 6-7-1923 | New York, New York | Victor 19094-A |
Here Comes Emaline (O’Flynn / Phillips / Sherman) | 3-31-1926 | New York, New York | Gennett X-53-B |
Here Comes Emaline (O’Flynn / Phillips / Sherman) | 4-27-1926 | New York, New York | Gennett 3286 X-95 |
Long-Lost Mama (Daddy Misses You) (Harry Woods) | 4-27-1923 | New York, New York | Victor 19105-A |
Tain’t Nobody’s Biz-ness If I Do (Introducing “Achin’ Hearted Blues”) (Porter Grainger / E. Robbins) | 6-26-1923 | New York, New York | Victor 19109-B |
That Big Blonde Mama (Billy Rose / James V. Monaco) | 7-23-1923 | New York, New York | Victor 19130-A |
Waitin’ For The Evenin’ Mail (Sittin’ On The Inside, Lookin’ At The Outside) (Billy Baskette) | 6-26-1923 | New York, New York | Victor 19109-A |
What Happened To Rose (Could Happen To You) (Sydney / King / Russell) | 3-31-1926 | New York, New York | Gennett 3285 |
You’ve Got To See Mama Ev’ry Night (Billy Rose / Con Conrad) | 4-27-1923 | New York, New York | Victor 19073-A |
Artist | Instrument |
Jack Brown | Vocals |
John Cali | Banjo |
Arthur Fields | Vocals |
John Helleberg | Brass Bass |
Jules Levy Jr. | Trumpet |
Nick Lucas | Banjo |
Jimmy Lytell | Clarinet |
Loring Murray | Alto Saxophone |
Phil Napoleon | Trumpet |
Charles Panelli | Trombone |
Jack Roth | Drums |
Frank Signorelli | Piano |
Rudy Wiedoeft | Alto Saxophone |