Steel Jazz Trio and Friends- Black Licorice
This is an unusual jazz album—pedal steel guitar is a rarely-used instrument in jazz recording and this is a self-produced album by a group who
This is an unusual jazz album—pedal steel guitar is a rarely-used instrument in jazz recording and this is a self-produced album by a group who
Here’s a CD which should appeal to clarinet and swing enthusiasts. As the title suggests all ten songs are familiar swing tunes. And there’s a
The L.A. Swing Barons are all dancers as well as musicians and it shows in the driving sound they capture in their first album, Kansas
Lovers of the weird will beam from the first notes of Book of Rhapsodies Vol. II, the fourth album from the critically acclaimed Ghost Train
I have the pleasure to review this month three albums from a remarkable talent known to many readers of The Syncopated Times; trumpeter and vocalist
The Dirty River Dixie Band was founded in 2014 after two music students at Texas Lutheran University were wowed by a live show of the
One of the greatest trumpeters in jazz history and an exciting musical force throughout the 1930s, Bunny Berigan led big bands during 1937-42 and starred
In 1917 the Original Dixieland Jazz Band (comprised of cornetist Nick LaRocca, trombonist Eddie Edwards, clarinetist Larry Shields, pianist Henry Ragas, and drummer Tony Sbarbaro)
Billie Holiday’s recording career can easily be divided into three main parts. Her 1935-42 recordings for Brunswick, Vocalion, and Okeh, both as a leader and
Early jazz collectors who are close to owning all of the significant American and British jazz recordings will find much of interest in the Svensk
Thomas Edison, a genius on so many levels, had the reputation of having poor taste in music. He may have invented the phonograph but his
Imagine if youth bands in high schools and colleges, instead of playing modern big band music inspired by Stan Kenton, chose to concentrate on 1920s
The great New Orleans soprano-saxophonist and clarinetist Sidney Bechet was 52 when he went to Paris in 1949 to perform at a jazz festival. The
Nothing is lost in translation with the fantastic Five O’Clock Orchestra who are celebrating 45 years of spreading the gospel of hot jazz to audiences
Here we have preserved for posterity the memorable collaboration between Willie “The Lion” Smith and Don Ewell. They were first brought together for a Canadian
In 1950, Louis Armstrong acquired his first reel to reel tape recorder. During the next 20 years, he often recorded his own band’s performances which
Mike Davis is one of the bright new voices in classic jazz. The 25-year old New York-based cornetist has forged his own musical path by
I first listened to Lessons Lyrical, the new disc from husband and wife duo Petra van Nuis & Andy Brown, during the mad rush of
Flip Phillips is known for playing tenor sax with Jazz at the Philharmonic between 1946 and 1957. During the semi-retirement that followed he developed a
This is the infamous New Reformation Jazz Band “Lithuanian set” from 1986. Bandleader Dave Tatrow decided at the last minute to riff on the importation
Francesca Biagi’s love of mid-century and earlier American theater, cinema, and jazz is genuine. Well known in Italy, and on the European scene generally, she
Muggsy Spanier loved to perform New Orleans and early jazz songs. The cornetist considered King Oliver and Louis Armstrong his musical heroes but he had
A Summer Night’s Magic, on Rivermont Records, is a set of piano solos by blind virtuoso Ed Clute, performed at his home in Watkins Glen,
Cornell student (and up and coming phenom) Colin Hancock has released Wild Jazz, his first album with the band he formed to commemorate the centennial