From roughly 1970-2010, Tex Wyndham was: (1) one of the best-known revivalist Dixieland jazz musicians in the US, as cornetist, pianist and bandleader, (2) one of the best-known ragtime pianists in the US, and (3) one of the most respected critics in the US of Dixieland jazz, ragtime, and related music. He is the only person about whom all three of those statements can be made.
Set forth below is the seventy-fifth and last “Texas Shout” column. The concluding installment of a two-part essay, (part 1,) it first appeared in the
Set forth below is the seventy-fourth, and next-to-last, “Texas Shout” column. The first installment of a two-part essay, it first appeared in the July 1996
Set forth below is the seventy-third “Texas Shout” column. It first appeared in the June 1996 issue of The American Rag. The note below was
Set forth below is the seventy-second “Texas Shout” column. It first appeared in the May 1996 issue of TAR. Because the text has not been
Set forth below is the seventy-first “Texas Shout” column. It first appeared in the April 1996 issue of TAR. The text has not been updated
Set forth below is the seventieth “Texas Shout” column. It first appeared in the March 1996 issue of The American Rag. The text has not
Set forth below is the sixty-ninth “Texas Shout” column. It first appeared in the February 1996 issue of TAR. The text has not been updated.
Set forth below is the sixty-eighth “Texas Shout” column. The concluding installment of a two-part essay,(part 1,) it first appeared in the December 1995 issue
Set forth below is the sixty-seventh “Texas Shout” column. The initial installment of a two-part essay, it first appeared in the November 1995 issue of
Set forth below is the sixty-sixth “Texas Shout” column. The concluding installment of a two-part essay (part 1), it first appeared in the October 1995
Set forth below is the sixty-fifth “Texas Shout” column. The initial installment of a two-part essay, it first appeared in the September 1995 issue of
Set forth below is the sixty-fourth “Texas Shout” column. The concluding installment of a two-part essay, (part 1,) it first appeared in the August 1995
Set forth below is the sixty-third “Texas Shout” column. The first installment of a two-part essay, it first appeared in the July 1995 issue of
Set forth below is the sixty-second “Texas Shout” column. It first appeared in the June 1995 issue of West Coast Rag, now known as The
Set forth below is the sixty-first “Texas Shout” column. It first appeared in the May 1995 issue of the West Coast Rag). The text has
Set forth below is the sixtieth “Texas Shout” column. The concluding installment of a three-part essay, (Part 1, Part 2,) it first appeared in the
Set forth below is the fifty-ninth “Texas Shout” column. The second installment of a three-part essay, it first appeared in the March 1995 issue of
Set forth below is the fifty-eighth “Texas Shout” column. The initial installment of a three-part essay, it first appeared in the February 1995 issue of
Set forth below is the fifty-seventh “Texas Shout” column. The concluding installment of a two-part essay, it first appeared in the December 1994 issue of
Set forth below is the fifty-sixth “Texas Shout” column. The initial installment of a two-part essay, it first appeared in the November 1994 issue of
Set forth below is the fifty-fifth “Texas Shout” column. It first appeared in the October 1994 issue of the West Coast Rag, now known as
Set forth below is the fifty-fourth “Texas Shout” column. The concluding installment of a two-part essay, (part 1,) it first appeared in the September 1994
Set forth below is the fifty-third “Texas Shout” column. The initial installment of a two-part essay, it first appeared in the August 1994 issue of
Set forth below is the fifty-second “Texas Shout” column. It first appeared in the July 1994 issue of West Coast Rag, now The Syncopated Times. I
