From roughly 1970-2010, Tex Wyndham was: (1) one of the best-known revivalist Dixieland jazz musicians in the US, as cornetist, pianist and bandleader, (2) one of the best-known ragtime pianists in the US, and (3) one of the most respected critics in the US of Dixieland jazz, ragtime, and related music. He is the only person about whom all three of those statements can be made.
Set forth below is the fifty-first “Texas Shout” column. The concluding installment of a two-part essay, it first appeared in the June 1994 issue of
Set forth below is the fiftieth “Texas Shout” column. The initial installment of a two-part essay, it first appeared in the May 1994 issue of
Set forth below is the forty-ninth “Texas Shout” column. It first appeared in the April 1994 issue of The West Coast Rag, now known as
Set forth below is the forty-eighth “Texas Shout” column. The concluding installment of a two-part essay (here’s part 1), it first appeared in the March
Set forth below is the forty-seventh “Texas Shout” column. The initial installment of a two-part essay, it first appeared in the February 1994 issue of
The Dixieland revival that began in the U.S. in the early forties spread to England fairly rapidly despite the obstacles of wartime.
Set forth below is the forty-fifth “Texas Shout” column. The concluding portion of a two-part essay, it first appeared in the November 1993 issue of
Set forth below is the forty-fourth “Texas Shout” column. The initial installment of a two-part essay, it first appeared in the October 1993 issue of
Set forth below is the forty-third “Texas Shout” column. It first appeared in the September 1993 issue of The West Coast Rag, now known as
Set forth below is the forty-second “Texas Shout” column. It first appeared in the August 1993 issue of West Coast Rag now The Syncopated Times.
Set forth below is the forty-first “Texas Shout” column. It first appeared in the June 1993 issue of the West Coast Rag, now known as
Set forth below is the fortieth “Texas Shout” column. The concluding portion of a two-part essay, it first appeared in the July 1993 issue of
Set forth below is the thirty-ninth “Texas Shout” column. The initial installment of a two-part essay, it first appeared in the May 1993 issue of
Set forth below is the thirty-eighth “Texas Shout” column. It first appeared in the April 1993 issue of the West Coast Rag now The Syncopated
Set forth below is the thirty-seventh “Texas Shout” column. It first appeared in the March 1993 issue of the West Coast Rag now the Syncopated Times).
When the Texas Shouts were reprinted in the late 90s Tex Wyndham decided against reprinting Texas Shout #36 and added the following explanation. The lack
Set forth below is the thirty-fifth “Texas Shout” column. The concluding installment of a two-part essay, it first appeared in the December 1992 issue of
Set forth below is the thirty-fourth “Texas Shout” column. The initial installment of a two-part essay, it first appeared in the November 1992 issue of
Set forth below is the thirty-third “Texas Shout” column, the conclusion of a two-part essay that first appeared in the September and October 1992 issues
Set forth below is the thirty-second “Texas Shout” column. The initial installment of a two-part essay, it first appeared in the September 1992 issue of
Set forth below is the thirty-first “Texas Shout” column. It first appeared in the August 1992 issue of the West Coast Rag (now The Syncopated
Set forth below is the thirtieth “Texas Shout” column. It first appeared in the July 1992 issue of the West Coast Rag, (now Syncopated Times) In
Set forth below is the twenty-ninth “Texas Shout” column. It first appeared in the June 1992 issue of the West Coast Rag, (now Syncopated Times.) As I
Set forth below is the twenty-eighth “Texas Shout” column. It first appeared in the May 1992 issue of the West Coast Rag, (now Syncopated Times.) In the
