In his own right he may have played a greater role in the history of Jazz than Bix, as the grandfather of Modern Jazz. His cool, intellectual style of playing was a major influence on Lester Young, and something of his style can be found in the Cool Jazz movement of the 1950s and 1960s.
Trumbauer was unusual in that he played C-Melody saxophone. He got his start playing in several dance bands in the Midwest and eventually became musical director of Jean Goldkette‘s Orchestra. He led his own band at the Acadia Ballroom in St. Louis that featured Bix.
For the next few years Trumbauer’s and Beiderbecke’s careers became entwined. They played together in Jean Goldkette’s Orchestra and made many highly influential recordings together, such as “For No Reason at All in C“, “Singing the Blues” and “Wringin’ and Twistin’“. They both joined Adrian Rollini’s short lived band and then joined the Paul Whiteman Orchestra in 1927.
Trumbauer was with Whiteman until 1932, when he left to form his own band. He then rejoined Whiteman in 1933. In the mid-1930s he played with Charlie and Jack Teagarden and then led his own band in California. During World War II he left the music business and worked as a test pilot. After the war he played in the NBC Orchestra and worked for the Civil Aeronautical Authority. He played occasionally for the remainder of his life, but after 1947 he made his living outside of music.
|Frankie Trumbauer and his Orchestra||The Chicago Loopers|
|Tram, Bix and Lang||Sioux City Six||The Three T’s|
|Tram: The Frank Trambauer Story by Philip R. Evans and Larry F. Kiner with William Trumbauer, Institute of Jazz Studies, Rutgers and Scarecrow Press Inc., 1994|