Oliver’s nephew, Dave Nelson co-wrote many of these songs and wrote a great deal of the arrangements. Hawaiian style, slack key guitarist Roy Smeck is heard on the odd, but strangely effective “Everybody Does It In Hawaii”.
| Title | Recording Date | Recording Location | Company |
| Boogie Woogie (King Oliver / Dave Nelson) | 4-10-1930 | New York, New York | Victor V-38134-A |
| Call Of The Freaks (Luis Russell / Paul Barbarin) | 2-1-1930 | New York, New York | Victor V-38039-A Victor 741055 Bluebird B-6546-A |
| Can I Tell You? | 2-25-1930 | New York, New York | RCA X LX-3018 50523-1 |
| Can I Tell You? | 2-25-1930 | New York, New York | Victor V-38049 50523-2 |
| Don’t You Think I Love You? (King Oliver / Dave Nelson) | 5-22-1930 | New York, New York | Victor 23001-A |
| Edna (King Oliver / Dave Nelson) | 4-10-1930 | New York, New York | Victor V-38137 |
| Everybody Does It In Hawaii (J. Rogers) | 1-15-1930 | New York, New York | Victor V-38109 58338-1 |
| Everybody Does It In Hawaii (J. Rogers) | 3-18-1930 | New York, New York | Victor V-38109 58338-4 |
| Frankie And Johnny (traditional) | 12-30-1929 | New York, New York | Victor V-38109 58339-2 |
| Frankie And Johnny (traditional) | 1-15-1930 | New York, New York | Victor V-38109 58339-3 |
| Freakish Light Blues | 2-1-1930 | New York, New York | Victor V-38521-B 49649-3 |
| Freakish Light Blues | 2-1-1930 | New York, New York | RCA X LX-3016 49649-4 |
| I’m Lonesome Sweetheart (King Oliver / Dave Nelson) | 11-6-1929 | New York, New York | Victor 23029 |
| I Can’t Stop Loving You | 11-6-1929 | New York, New York | Victor 23029 |
| I Must Have It (King Oliver) | 3-18-1930 | New York, New York | Victor V-38124 |
| I’ve Got That Thing | 1-16-1929 | New York, New York | RCA X LX-3018 49651-1 |
| I’ve Got That Thing | 1-16-1929 | New York, New York | Victor V-38521-A 49651-2 |
| I’m Crazy ‘Bout My Baby | 2-18-1931 | New York, New York | Brunswick 6065 |
| I Want You Just Myself | 11-6-1929 | New York, New York | Victor V-38101-B |
| Loveless Love (W.C. Handy) | 4-15-1931 | New York, New York | Vocalion 1610 |
| Mule Face Blues (King Oliver / Dave Nelson) | 4-10-1930 | New York, New York | Victor V-38134-B |
| My Good Man Sam | 2-25-1930 | New York, New York | Victor V-38049 |
| Nelson Stomp (Dave Nelson) | 9-19-1930 | Camden, New Jersey | Victor LPV-529 64013-1 |
| Nelson Stomp (Dave Nelson) | 9-19-1930 | Camden, New Jersey | Victor 23388 64013-2 |
| Nelson Stomp (Dave Nelson) | 9-19-1930 | Camden, New Jersey | Victor LPM-10017 64013-3 |
| New Orleans Shout (King Oliver / Dave Nelson) | 12-30-1929 | New York, New York | Victor 23388 |
| Olga (King Oliver / Dave Nelson) | 5-22-1930 | New York, New York | Victor 22681 62238-1 |
| Olga (King Oliver / Dave Nelson) | 5-22-1930 | New York, New York | Victor 22681 62238-2 |
| One More Time | 4-15-1931 | New York, New York | Vocalion 1610 |
| Papa De Da Da “From the Musical Comedy “Lew Leslie’s Blackbird’s of 1930”) (Clarence Todd / Clarence Williams) | 1-9-1931 | New York, New York | Brunswick 6053 |
| Rhythm Club Stomp (King Oliver / Dave Nelson) | 3-18-1930 | New York, New York | Victor V-38137 |
| Shake It Don’t Break It (Frisco / Clark) | 9-10-1930 | New York, New York | Victor 23009-A |
| Stealing Love (Dave Nelson) | 9-19-1930 | Camden, New Jersey | Victor LPM-10017 64014-1 |
| Stealing Love (Dave Nelson) | 9-19-1930 | Camden, New Jersey | Electrola EG-7853 64014-3 |
| Stingaree Blues (Clinton A. Kemp) | 9-10-1930 | New York, New York | Victor 23009-B |
| St. James Infirmary (Joe Primrose) | 5-22-1930 | New York, New York | Victor 22298-A Bluebird B-5466-A |
| Stop Crying (King Oliver) | 1-9-1931 | New York, New York | Brunswick 6053 Brunswick 1105-B |
| Struggle Buggy (C. Walker) | 1-28-1930 | New York, New York | Victor 23001-B |
| Sugar Blues (Lucy Fletcher / Clarence Williams) | 2-18-1931 | New York, New York | Brunswick 6065 |
| Sweet Like This (King Oliver / Dave Nelson) | 10-8-1929 | New York, New York | Victor V-38101-A |
| The Trumpets Prayer | 2-1-1930 | New York, New York | Victor V-38039-B |
| Too Late (King Oliver / Dave Nelson) | 10-8-1929 | New York, New York | Victor V-38090-A |
| West End Blues (King Oliver / Clarence Williams) | 1-16-1929 | New York, New York | Victor V-38034-B |
| What’s The Use Of Living Without You? (From Fox picture “Man Trouble”) Vocal refain by George Bias (McCarthy / Hanley) | 9-12-1930 | New York, New York | Victor 23011-B |
| What You Want Me To Do (King Oliver / Clarence Williams) | 10-8-1929 | New York, New York | Victor V-38090-B |
| When I Take My Sugar To Tea (as King Oliver’s Chocolate Dandies) | 4-15-1931 | New York, New York | Vocalion 1617 |
| When Your Smiling (The Whole World Smiles At You) (Fisher / Goodwin / Shay) | 1-28-1930 | New York, New York | Victor 22298-B Bluebird B-5466-B |
| Who’s Blue? (Gould / Rule) | 1-9-1931 | New York, New York | Brunswick 6046 |
| Your Just My Type (King Oliver) | 3-18-1930 | New York, New York | Victor V-38124 |
| You Were Only Passing Time With Me Vocal refrain by George Bias (Alexander Hill) | 9-12-1930 | New York, New York | Victor 23011-A |
| Artist | Instrument |
| Henry “Red” Allen | Trumpet |
| Jimmy Archey | Trombone |
| Paul Barbarin | Drums |
| Buster Bailey | Clarinet |
| Bill Beason | Drums |
| George Bias | Vocals |
| Carroll Dickerson | Director |
| Bill Dillard | Trumpet |
| Henry Duncan | Piano |
| William Franklin | Trombone |
| Charles Frazier | Tenor Saxophone |
| Don Frye | Piano |
| Richard Fullbright | Tuba |
| J.C. Higginbotham | Trombone |
| Bobby Holmes | Clarinet, Alto Saxophone |
| Charlie Holmes | Clarinet, Alto, and Soprano Saxophone |
| Teddy Hill or Greely Walton | Clarinet, Tenor Saxophone |
| Hilton Jefferson | Alto Saxophone |
| James P. Johnson | Piano |
| Will Johnson | Banjo, Guitar |
| Edmond Jones | Drums |
| Henry L. Jones | Alto Saxophone |
| Walter Jones | Banjo |
| Norman Lester | Piano |
| Goldie Lucas | Guitar, Vocals |
| Bingie Madison | Tenor Saxophone, Vocals |
| Punch Miller | Cornet |
| Bubber Miley | Trumpet |
| Dave Nelson | Trumpet |
| Louis Metcalf | Trumpet |
| Fred Moore | Drums |
| Bass Moore | Tuba |
| King Oliver | Trumpet, Director |
| Glyn Pacque | Alto Saxophone |
| Walter Pichon | Vocals |
| Ward Pinkett | Trumpet, Vocals |
| Gene Rodgers | Piano |
| George Rodgers | Director |
| Luis Russell | Piano |
| Omer Simeon | Clarinet, Alto, and Soprano Saxophone |
| Cassino Simpson | Piano, Banjo, Tuba, Drums |
| Fred Skerritt | Baritone Saxophone, Vocals |
| Roy Smeck | Hawaiian Slack Key Guitar, Harmonica |
| Arthur Taylor | Banjo |
| Clinton Walker | Tuba |
| Loren L. Watson | Director |
| Walter Wheeler | Tenor Saxophone |
the recordings on this page.
Redhotjazz.com was a pioneering website during the "Information wants to be Free" era of the 1990s. In that spirit we are recovering the lost data from the now defunct site and sharing it with you.
Most of the music in the archive is in the form of MP3s hosted on Archive.org or the French servers of Jazz-on-line.com where this music is all in the public domain.
Files unavailable from those sources we host ourselves. They were made from original 78 RPM records in the hands of private collectors in the 1990s who contributed to the original redhotjazz.com. They were hosted as .ra files originally and we have converted them into the more modern MP3 format. They are of inferior quality to what is available commercially and are intended for reference purposes only. In some cases a Real Audio (.ra) file from Archive.org will download. Don't be scared! Those files will play in many music programs, but not Windows Media Player.
