| Title | Recording Date | Recording Location | Company |
| Atlanta Blues (W.C.Handy / Dave Elman) | 8-1-1923 | New York, New York | Okeh 8090 |
| Beaucoupe De Jazz | 8-7-1923 | New York, New York | Okeh 4940 |
| Blind Man Blues (E. Green / B. McLaurin) | 8-1-1923 | New York, New York | Okeh 8090 |
| Brother Ben (Spencer Williams / Fats Waller) | 3-25-1926 | New York, New York | Okeh 8442-B |
| Carless Man Blues (Clarence Todd) | 3-25-1926 | New York, New York | Okeh 8325-A |
| Cushion Foot Stomp (Clarence Williams) | 4-9-1927 | New York, New York | Okeh 8461 |
| Eagle Rock Me, Papa (Thomas A. Dorsey / Queen Jones / Lloyd Dorsey) | 9-29-1924 | New York, New York | Okeh 8203-A |
| How Could I Be Blue? (Andy Razaf / Dan Wilson) | 3-25-1926 | New York, New York | Okeh 8442-B |
| I Want Every Bit Of It, I Don’t Like It Second Hand (Clarence Williams / Spencer Williams) | 3-20-1926 | New York, New York | Okeh 8336-A |
| Take Your Black Bottom Outside (Clarence Williams / Green) | 4-9-1927 | New York, New York | Okeh 8461 |
| The Prisoner’s Blues (Spencer Williams) | 3-25-1926 | New York, New York | Okeh 8442-A |
| Things Done Got Too Thick (Clarence Williams) | 9-29-1924 | New York, New York | Okeh 8203-B |
| Those Blues | 8-7-1923 | New York, New York | Okeh 4940 |
| What’s The Matter Now? (Clarence Williams / Spencer Williams) | 3-20-1926 | New York, New York | Okeh 8336-B |
| Your Going Ain’t Giving Me The Blues (Sara Martin / Clarence Williams) | New York, New York | Okeh 8270-B |
| Artist | Instrument |
| Sidney Bechet | Soprano Saxophone |
| Buddy Christain | Banjo |
| Sara Martin | Vocals |
| John Mayfield | Trombone |
| Tom Morris | Cornet |
| Clarence Williams | Piano |
