Red Hot Jazz Archive

Redhotjazz.com was a pioneering website during the “Information wants to be Free” era of the 1990s. In that spirit we are recovering the lost data from the now defunct site and sharing it with you.
Most of the music in the archive is in the form of MP3s hosted on Archive.org or the French servers of Jazz-on-line.com where this music is all in the public domain.
Files unavailable from those sources we host ourselves. They were made from original 78 RPM records in the hands of private collectors in the 1990s who contributed to the original redhotjazz.com. They were hosted as .ra files originally and we have converted them into the more modern MP3 format. They are of inferior quality to what is available commercially and are intended for reference purposes only. In some cases a Real Audio (.ra) file from Archive.org will download. Don’t be scared! Those files will play in many music programs, but not Windows Media Player.
Richard M. Jones (1889-1945)

Richard M. Jones’ Three Jazz Wizards

This Richard M. Jones group also recorded under the name of Chicago Hottentots. After 1925 the recordings were released under the name of Richard M. Jones’ Jazz Wizards with an

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Chicago Hottentots

This Richard M. Jones group also recorded under the name of Richard M. Jones’ Three Jazz Wizards. The term Hottentot refers to the name of a group of

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Richard M. Jones’ Jazz Wizards

Title Recording Date Recording Location Company African Hunch (Richard M. Jones) 11-7-1927 Chicago, Illinois Victor 21345-B Baby O’ Mine (Richard M. Jones) 6-22-1926 Chicago, Illinois

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Kansas City Four/Five

This band from the 1920s has no relation to the 1938 sessions of the same name, that featured players from the Count Basie Orchestra and

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Musical Stevedores

Title Recording Date Recording Location Company Happy Rhythm (Clarence Williams) 1-30-1929 New York, New York Columbia 14406-D Honeycomb Harmony (Clarence Williams) 1-30-1929 New York, New

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Virginia Liston (1890-1932)

Virginia Liston (1890-1932)

Virginia Liston (c. 1890 – June 1932) would most likely be barely remembered today if she had not sung on a Clarence Williams Blue Five record

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Margaret Johnson (?-?)

Very little is known about the life of Margaret Johnson. She was very active on the vaudeville circuit in the early 1920s and is known

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Harlem Trio

Title Recording Date Recording Location Company Clarinet Laughing Blues (George McClennon) 4-1923 New York, New York Okeh 8072 71511-A Clarinet Laughing Blues (George McClennon) 4-1923

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Clarence Williams’ Blue Five

Clarence Williams’ Blue Five were a series of recording sessions that featured some of the best Jazz musicians and Blues singers of the early 1920s. Louis Armstrong, Sidney

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Clarence Williams’ Blue Seven

Title Recording Date Recording Location Company Baby Won’t You Please Come Home (Clarence Williams / Charles Warfield) 9-23-1927 New York, New York Okeh 8510 Close Fit

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Memphis Jazzers

The March of 1929 session is a Clarence Williams’ session. The other sessions feature different unknown bands. Title Recording Date Recording Location Company Am I Blue?

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Clarence Williams’ Jug Band

Title Recording Date Recording Location Company Chizzlin’ Sam (Clarence Williams) 8-7-1933 New York, New York Columbia 2829-D High Society (Clarence Williams / A.J. Piron) 8-7-1933 New York,

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Dixie Washboard Band

Thanks to Bob Palmer for his help with this page. Title Recording Date Recording Location Company Anywhere Sweetie Goes (I’ll Be There) (Clarence Williams / Fats Waller)

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Clarence Williams’ Novelty Four

Eddie Lang and King Oliver are both in top form, while Clarence Williams adds some very effective celeste parts and nice melancholy singing to “What Ya Want Me To Do?“.

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