When looking at music history, it is easy to focus on the canon—artists of undisputed importance who more often than not have achieved some kind
Sound recordings as documents of stylistic development are an integral part of jazz research. Being able to hear musical transformation and evolution over a period
It all began innocently enough in the late 1960s when Dave Oppermann, a business person by day and a sing-along piano player by night, and
Colin Yates’ musical resume straddles the Atlantic, encompassing two very different styles. He was born in South Yorkshire, a county famed for collieries and their
On November 11, 1918, a 17-year-old Louis “Dipper” Armstrong, driving a coal cart around his down-and-out New Orleans neighborhood, heard a commotion. World War I
I do most of my swing dancing in Sheffield, South Yorkshire—proud home of British steel, a hub of the Industrial Revolution and birthplace of Arctic
We knew Tuba Skinny had a following but we weren’t prepared for a standing room only crowd! I never saw so many joyous, boppin’ people
Over the years I have lost track of the “Complete” Joplin sets that have been produced. The first such effort I acquired was Richard Zimmerman’s
Jack Sheldon (November 30, 1931-December 27, 2019) and Chet Baker (December 23, 1929- May 13, 1988) are two trumpeter/vocalists with a great deal in common.
Of all the Lindy Hop videos on all of YouTube, one stands out as my clear favourite. Shot at Lindy Focus XI in 2013—at the
“Immorality: the morality of those who are having a better time.” — H. L. Mencken In 1900, editorializing on jazz and “other black music,” Etude
Like many of his musical peers, Joseph “Wingy” Manone had an enthrallingly eventful rise to fame; a rollercoaster railroad ride, documented in his 1948 book
Discerning influences – why musicians sing or play or write the way they do – can be as straightforward as recognizing a stolen/borrowed lick or
This fall Syncopated Times reporter Steve Provizer met with Ted Gioia, author of many important jazz histories, to discuss his latest project Music: A Subversive
Nat Morison – patriarch, devotee of early New Orleans jazz, Mets fan, host of the annual Welbourne Cakewalk/Stoke Stomp, and treasured friend of many in
From The Ragtime Ephemeralist to Rusty Brown For some time now I have wanted to interview Chris Ware for The Syncopated Times. Over the years
I’ve played a b’zillion jazz piano and banjo gigs over the past 60 years. None can compare, however, with my long-time gig at Capone’s Chicago
With reservations, I’ve chosen to weigh in on the debate started by the publisher’s column asking: Is the term “Dixieland Jazz” racist? Almost everyone will
Ask a Lindy hopper to describe blues dancing and most will evoke spacious ballrooms, the lights turned low in the wee small hours after most
D.A. Pennebaker was a filmmaker, born in 1925, died on August 1, 2019. He was one of a small group of filmmakers who created a
In the language of jazz, “doubling” means playing more than one instrument (not at the same time, c.f. Wilbur Sweatman and Rahsaan Roland Kirk). Doubling
The ukulele Martin 1K, the “Dick Konter” of the early 1900s, is perhaps the most famous ukulele in the world. It traveled on the plane
While soldiers fought across Europe, one American jazzman wrote a song urging leaders to “Stop the War.” But was Wingy Manone sincere in his plea?
While listening to cornetist Nat Adderley light it up during a recent listening session, I thought “Why does he play this aggressive style on cornet
