The start of the Swing age found Muggsy Spainer with a comfortable chair in Ben Pollack‘s Orchestra. For two years he lived gloriously, too gloriously in fact, for on January 29, 1938, he collapsed in New Orleans. Only his terrific will to live and the skill of Dr. Ochsner pulled him through a lengthy stay at the Touro Infirmary, although there were times when it was “certain” he’d never leave again, much less blow his horn.
He managed to do both, and the success of his comeback was climaxed when he opened at the Sherman Hotel’s Old Town Room on April 29, 1939, with his Ragtime Band. For six months it was wonderful there, but then it was time to move on. They moved to Nick’s in New York. But after that there was no place else to go; the band was too small. By 1940 the big, bigger and biggest Swing bands were all the rage, while the Dixieland revival was just cranking up. Muggsy had nothing to do but give in to the times, and he returned to his old meal ticket, Ted Lewis.
“Relaxin’ At The Touro“, which became the band’s theme, was written to commemorate Muggsy’s sojourn at that now-famous institution. For many years a myth has been making the rounds about a so-called “First pressing” of the record “Relaxin’ At The Touro” being imbedded in a wall at the Touro. Catherine C. Kahn, Touro Infirmary Archivist says that Muggsy was brought into Touro by busboys from the Blue Room, near death, and saved by several fine surgeons: Dr. Donovan Brown, Dr. Gordon McHardy and Dr. Alton Ochsner.
They have numerous memorabilia about Muggsy, photographs taken by Dr. Cohen, when Muggsy returned to the hospital to thank the staff, and Cohen took the famous picture of Muggsy, playing his horn flat on his back on a gurney. What they don’t have is a record in the wall or floor. They’ve never found anyone who has actually seen a record in the wall or floor. They have a plaque on the wall to commemorate Muggsy’s stay in the hospital, perhaps that got confused with a record in the wall. —by Verne Buland
| Title | Recording Date | Recording Location | Company |
| At Sundown (Walter Donaldson) | 11-22-1939 | New York, New York | Bluebird B-10719-A |
| At The Jazz Band Ball (Larry Shields /Nick LaRocca) | 11-10-1939 | New York, New York | Bluebird B-10518-A |
| Big Butter And Egg Man (P. Venable / Louis Armstrong) | 7-7-1939 | Chicago, Illinois | Bluebird B-10417-B |
| Bluing The Blues (Henry Ragas) | 11-22-1939 | New York, New York | Bluebird B-10719-B |
| Dinah (Sam M. Lewis / Joe Young / Harry Akst) | 12-22-1939 | New York, New York | Bluebird B-10682-A |
| Dipper Mouth Blues (King Oliver / Louis Armstrong) | 11-10-1939 | New York, New York | Bluebird B-10506-A |
| Eccentric (J. Russel Robinson) | 7-7-1939 | Chicago, Illinois | Bluebird B-10417-A |
| I Wish I Could Shimmy Like My Sister Kate (A.J. Piron) | 11-10-1939 | New York, New York | Bluebird B-10506-B |
| Livery Stable Blues (Ray Lopez / Yellow Nuņez ) | 11-10-1939 | New York, New York | Bluebird B-10518-B |
| Lonesome Road (Gene Austin / Nathaniel Shilkret) | 12-22-1939 | New York, New York | Bluebird B-10766-A |
| Mandy, Make Up Your Mind (Grant Clarke / Roy Turk / George W. Meyer) | 12-22-1939 | New York, New York | Bluebird B-10766-B |
| Relaxin’ At The Touro (Muggsy Spanier / Joe Bushkin) | 11-22-1939 | New York, New York | Bluebird B-10532-A |
| Riverboat Shuffle (Mitchell Parish / Hoagy Carmichael / Dick Voynow / Irving Mills) | 11-22-1939 | New York, New York | Bluebird B-10532-B |
| Someday Sweatheart (Benjamin Spikes / John Spikes / Jelly Roll Morton) | 7-7-1939 | Chicago, Illinois | Bluebird B-10384-B |
| That Da Da Strain (Medina / Dowell) | 7-7-1939 | Chicago, Illinois | Bluebird B-10384-A |
| (What Did I Do To Be So) Black And Blue (Andy Razaf / Fats Waller) | 12-22-1939 | New York, New York | Bluebird B-10682-B |
| Artist | Instrument |
| Bernie Billings | Tenor Saxophone |
| George Brunis | Trombone, Vocals |
| Joe Bushkin | Piano |
| Nick Caiazza | Tenor Saxophone |
| Don Carter | Drums |
| Bob Casey | Cornet |
| Rod Cless | Clarinet |
| Marty Greenberg | Drums |
| Pat Pattison | Bass |
| Ray McKinstry | Tenor Saxophone |
| Al Sidell | Drums |
| Muggsy Spanier | Cornet |
| George Zack | Piano |
Redhotjazz.com was a pioneering website during the "Information wants to be Free" era of the 1990s. In that spirit we are recovering the lost data from the now defunct site and sharing it with you.
Most of the music in the archive is in the form of MP3s hosted on Archive.org or the French servers of Jazz-on-line.com where this music is all in the public domain.
Files unavailable from those sources we host ourselves. They were made from original 78 RPM records in the hands of private collectors in the 1990s who contributed to the original redhotjazz.com. They were hosted as .ra files originally and we have converted them into the more modern MP3 format. They are of inferior quality to what is available commercially and are intended for reference purposes only. In some cases a Real Audio (.ra) file from Archive.org will download. Don't be scared! Those files will play in many music programs, but not Windows Media Player.
