By 1922 Miles had relocated to New York where she began her recording career in 1922 and played clubs and cabarets with the Sam Wooding Orchestra and with Piron’s New Orleans Orchestra. In 1924 she toured Europe and played in Paris at Louis Mitchell’s club Chez Mitchell and other venues for the next couple of years.
In 1927 she returned to New York where she spent most of the remainder of the 1920s and 1930s. She performed in clubs around the city with numerous acts that included groups led by Fats Waller and Paul Barbarin. In the late 1930s, Miles returned to New Orleans and left show business until the l950s when she resumed her career performing and recording with the Bob Scobey Band until she retired in 1959. Miles died of a heart attack in 1963. Lizzie Miles was the half sister of Blues singer Edna Hicks and trumpet player Herb Morand. Some of Lizzie Miles’ records were released under the pseudonyms of Mandy Smith and Jane Howard.
Thanks to Owen Miller for his help with some of the recordings on this page.
Title | Director | Year |
The Stardust Ring | 193? | |
Tip Tap Toe | 1932 |
Title | Recording Date | Recording Location | Company |
Aggravatin’ Papa (Roy Turk / J. Russel Robinson) | 2-1923 | New York, New York | Emerson 10586 |
A Good Man Is Hard To Find (2) (Eddie Green) | 2-29-1928 | New York, New York | Conqueror 7185 |
A Good Man Is Hard To Find (3) (Eddie Green) | 2-29-1928 | New York, New York | Conqueror |
Banjo Papa | 5-2-1928 | New York, New York | Domino |
Black Man (Be On Yo’ Way) Piano by Spencer Williams (Spencer Williams) | 6-18-1923 | New York, New York | Brunswick 2462-B |
Cotton Belt Blues Piano accomp. Clarence Johnson (Spencer Williams) | 7-19-1923 | New York, New York | Victor 19124-B |
Done Throwed Away The Key Away (Harold Gray) | 2-27-1930 | New York, New York | Victor 23306-B |
Don’t Let Your Love Come Down (Andy Razaf) | 11-13-1927 | New York, New York | Banner 7025 |
Don’t Tell Me Nothin’ ‘Bout My Man (Jelly Roll Morton) | 12-11-1929 | New York, New York | Victor V-38571-B |
Electrician Blues (Andy Razaf) | 1-27-1930 | New York, New York | Victor 23306-A |
Family Trouble Blues (Olman J. Cobb) | 5-24-1923 | New York, New York | Columbia A3920 |
Four O’Clock Blues (Johnny Dunn / Gus Horsley) | 2-1923 | New York, New York | Emerson 10586 |
Good Time Papa | 1-27-1930 | New York, New York | Victor 23306 |
Grievin’ Mama Blues (Tom Delaney) | 3-18-1927 | New York, New York | Okeh 8456-A |
Haitian Blues (Lizzie Miles / Spencer Williams) | 3-1923 | New York, New York | Emerson 10613 |
Haitian Blues Clarence Johnson at the Piano (Lizzie Miles / Spencer Williams) | 4-25-1923 | New York, New York | Columbia A3897 |
He May Be Your Man, But He Comes To See Me Sometimes (From Musical Comedy “Plantation Revue”) (Lemuel Fowler) | 7-1922 | New York, New York | Okeh 8037-A |
He’s My Man | 10-7-1939 | New York, New York | Vocalion 05260 |
He’s Red Hot To Me | 10-7-1939 | New York, New York | Vocalion 05325 |
He Used To Be Your Man But He’s My Man Now Accompanied by Rickett’s Stars | 2-1923 | New York, New York | Okeh 8048-A |
Hold Me Parson (Lizzie Miles) | 10-7-1939 | New York, New York | Vocalion 05325 |
Hot Lips (Henry Busse / Jack Lange / Lou Davis) | 9-1922 | New York, New York | Okeh 8040 |
If You Can’t Control Your Man | 1-4-1928 | New York, New York | Banner 7048-B Conqueror 7084 |
I Hate A Man Like You (Jelly Roll Morton) | 12-11-1929 | New York, New York | Victor V-38571-A |
Keep Knockin’ No. 2 (But You Can’t Come In) (Wiggins) | 10-7-1939 | New York, New York | Vocalion 05165 Conqueror 9357 |
Keep Yourself Together Sweet Papa (Mama’s Got Her Eyes On You) (Spencer Williams) | 7-19-1923 | New York, New York | Victor 19158-A |
Lonesome Ghost Blues (Andy Razaf) | 1-4-1928 | New York, New York | Banner 7048-A |
Lonesome Monday Morning Blues | 8-1922 | New York, New York | Okeh 8039-B |
Mean Old Bedbug Blues (Jack Wood) | 10-12-1927 | New York, New York | Banner 6117 Conqueror 7182 Domino 1055-B |
Mellow Rhythm | 10-7-1939 | New York, New York | Vocalion 05260 |
Muscle Shoals Blues (George W. Thomas) | 2-24-1922 | New York, New York | Okeh 8031-A |
My Dif’rent Kind Of Man (Jack Palmer) | 6-30-1928 | New York, New York | Columbia 14335-D |
My Man O’ War | 1-27-1930 | New York, New York | Victor 23281 |
My Pillow And Me Piano by Clarence Johnson (Tim Brymn / Chris Smith / Clarence Williams) | 6-18-1923 | New York, New York | Brunswick 2462-A |
Nobody Shows What My Baby Shows (Andy Razaf) | 2-29-1928 | New York, New York | Banner |
Please Don’t Tickle Me, Babe (Q. Roscoe Snowden) | 8-1922 | New York, New York | Okeh 8039-A |
Police Blues | 11-13-1927 | New York, New York | Conqueror 7082 |
Second Hand Daddy (Jackson) | 2-29-1928 | New York, New York | Banner 7075 Conqueror 7185 |
Shake It Down | 5-2-1928 | New York, New York | Banner 7128 |
She Walked Right Up And Took My Man Away (Lizzie Miles / Babe Thomas / Spencer Williams) | 2-24-1922 | New York, New York | Okeh 8031-B |
Shootin’ Star Blues (Porter Grainger) | 1-4-1928 | New York, New York | Banner 7025 |
Slow Up Papa (Andy Razaf / Paul Denniker) | 3-18-1927 | New York, New York | Okeh 8456-B |
State Street Blues (Babe Thomas / Spencer Williams) | 3-11-1922 | New York, New York | Okeh 8032-A |
Stranger Blues (Williams) | 10-7-1939 | New York, New York | Vocalion 05392 |
Sweet Smellin’ Mama (Poro Blues) Accompanied by Rickett’s Stars (Trebor Rollins / Bob Miller) | 2-1923 | New York, New York | Okeh 8048-B |
Sweet Smellin’ Mama (Poro Blues) Clarence Johnson at the Piano (Bob Miller) | 4-25-1923 | New York, New York | Columbia A3897 |
Take It, ‘Cause It’s All Yours | 9-1922 | New York, New York | Okeh 8040 |
That’s Alright Daddy | 10-7-1939 | New York, New York | Vocalion 05165 Conqueror 9357 |
Twenty Grand Blues | 10-7-1939 | New York, New York | Vocalion 05392 |
Tell Me Gypsy | 2-1923 | New York, New York | Emerson 10603 |
The Black Bottom Blues Accompanied by Rickett’s Stars (Eddie Heywood) | 2-1923 | New York, New York | Okeh 8050-B |
The Man I Got Ain’t The Man I Want | 2-27-1930 | New York, New York | Victor 23281 |
The Trixie Blues (Trixie Smith) | 2-1923 | New York, New York | Okeh 8049-A |
The Yellow Dog Blues (W.C. Handy) | 2-1923 | New York, New York | Okeh 8052 |
Too Slow Blues | 2-27-1930 | New York, New York | Victor 23298 |
Trifflin’ Man (Bob Miller) | 5-24-1923 | New York, New York | Columbia A3920 |
Virginia Blues (Ernie Erdman / Fred Meinken) | 3-11-1922 | New York, New York | Okeh 8032-B |
When You Get Tired Of Your New Sweetie (Lester Miller) | 11-13-1927 | New York, New York | Oriole 1118 (b) Banner 6162 Conqueror 7084 Domino 4099-A |
Wicked Blues (Perry Bradford) | 7-1922 | New York, New York | Okeh 8037-B |
Yellow Dog Gal Blues | 2-27-1930 | New York, New York | Victor |
You Ain’t Had No Blues | 1-27-1930 | New York, New York | Victor |
You Can’t Have It Unless I Give It To You (Andy Razaf) | 10-12-1927 | New York, New York | Oriole 1118 (a) Conqueror 7082 Domino 4099-B |
You’re Always Messin’ Round With My Man Piano accompaniment – Clarence Johnson (Spencer Williams) | 5-23-1923 | New York, New York | Victor 19083-B |
Your Such A Cruel Papa To Me (A.J. Piron) | 6-30-1928 | New York, New York | Columbia 14335-D |
Your Time Now | 3-1923 | New York, New York | Emerson 10613 |
Your Worries Ain’t Like Mine | 5-2-1928 | New York, New York | Banner 7128 |
You’ve Gotta Come And See Mama Every Night (Billy Rose) | 2-1923 | New York, New York | Emerson 10603 |
Artist | Instrument |
Harry Brooks | Piano |
Teddy Bunn | Guitar |
Pops Foster | Bass |
Porter Grainger | Piano |
Charlie Grimes | Alto Saxophone |
Harry Hicks | Trombone |
Charlie Holmes | Clarinet, Alto Saxophone |
Louis Hooper | Piano |
Cliff Jackson | Piano |
Clarence Johnson | Piano |
Louis Metcalf | Cornet |
Bass Moore | Tuba |
Jelly Roll Morton | Piano |
King Oliver | Cornet |
Bob Ricketts | Piano |
Albert Socarras | Alto Saxophone, Flute |
Elmer Snowden | Banjo |
Clarence Williams | Piano |