| Title | Recording Date | Recording Location | Company |
| A Good Man Is Hard To Find (Eddie Green) |
9-16-1927 | New York, New York | Pathé Actuelle 36701 Perfect 14882 |
| Alabama Stomp (Creamer / Johnson) |
9-14-1926 | New York, New York | Pathé Actuelle 11236 Pathé Actuelle 36527 Perfect 14708 |
| Baltimore (Healy / Kahal / McHugh) |
9-16-1927 | New York, New York | Pathé Actuelle 36701 Perfect 14882 |
| Black Bottom Stomp (Jelly Roll Morton) |
11-11-1926 | New York, New York | Pathé Actuelle 36557 Pathé Actuelle 11289 Perfect 14738 |
| Brown Sugar (Harry Barris) |
9-14-1926 | New York, New York | Pathé Actuelle 11236 Pathé Actuelle 36527 Perfect 14708 |
| Dynamite (Henderson / Palmer) |
4-7-1926 | New York, New York | Pathé Actuelle 11456 Pathé Actuelle 11456 Perfect 14639 B |
| Fallen Arches (Ponce / Van Loan) |
11-13-1925 | New York, New York | Pathé Actuelle 36384 Pathé Actuelle 11456 Perfect 14565 |
| Get A Load Of This (Eddie Lang / Arthur Schutt) |
11-4-1926 | New York, New York | Pathé Actuelle 11347 |
| Get With It (Red Nichols) |
11-4-1926 | New York, New York | Pathé Actuelle 11347 |
| Hangover (Red Nichols / Miff Mole) |
2-4-1926 | New York, New York | Pathé Actuelle 36419 Pathé Actuelle 11396 Perfect 14600 |
| Heebie Jeebies (Boyd Atkins) |
11-11-1926 | New York, New York | Pathé Actuelle 36557 Pathé Actuelle 11376 Perfect 14764 |
| Headin’ For Louisville (Meyer / De Sylva) |
11-13-1925 | New York, New York | Pathé Actuelle 36347 Pathé Actuelle 11069 Perfect 14528 |
| Here Or There (Davis / Greer) |
1-18-1927 | New York, New York | Pathé Actuelle 36583 Pathé Actuelle 11376 Perfect 14764 |
| Hi-Diddle-Diddle (Coon / Keidle) |
4-7-1926 | New York, New York | Pathé Actuelle Perfect 14639 |
| Nervous Charlie (Red Nichols) |
11-13-1925 | New York, New York | Pathé Actuelle 36347 Perfect 14528 |
| Nothin’ Does-Does Like It Used To Do Do Do (Kahal / Ross / Fain) |
9-16-1927 | New York, New York | Pathé Actuelle 36707 Pathé Actuelle 11515 Perfect 14888 |
| Poor Papa (He’s Got Nothin’ At All) (Rose / Woods) |
2-4-1926 | New York, New York | Pathé Actuelle 36387 Pathé Actuelle 1134 Perfect 14568 |
| ‘Tain’t Cold (Harry Barris) |
2-4-1926 | New York, New York | Pathé Actuelle 36419 Pathé Actuelle 11396 Perfect 14600 |
| Tell Me Tonight (Little) |
1-18-1927 | New York, New York | Pathé Actuelle 36583 Perfect 14764 |
| That’s No Bargin (Red Nichols) |
11-11-1926 | New York, New York | Pathé Actuelle 36583 Perfect 14764 |
| The Hurricane (Paul Mertz / Red Nichols) |
9-14-1926 | New York, New York | Pathé Actuelle 11236 Pathé Actuelle 36527 Perfect 14708 |
| Wild And Foolish (Smith / Redman) |
4-7-1926 | New York, New York | Pathé Actuelle 36492 Pathé Actuelle 11206 Perfect 14673 |
| You Should See My Tootsie (Jack Yellen / Milton Ager) |
1-18-1927 | New York, New York | Pathé Actuelle 11376 Perfect 14747 |
| Artist | Instrument |
| Vic Berton | Drums |
| Rube Bloom | Piano |
| Bobby Davis | Clarinet, Alto Saxophone |
| Alfi Evans | Clarinet, Alto Saxophone |
| Jimmy Dorsey | Trumpet, Clarinet, Alto Saxophone |
| Arthur Fields | Vocals |
| Frank Gould | Vocals |
| Wingy Manone | Cornet |
| Leo McConville | Trumpet |
| Dick McDonough | Banjo, Guitar |
| Miff Mole | Trombone |
| Fred Morrow | Clarinet, Alto Saxophone |
| Red Nichols | Trumpet |
| Pee Wee Russell | Clarinet |
| Arthur Schutt | Piano |
| The Red Nichols Story: After Intermission, 1942-1965 , by Philip R. Evans, Stanley Hester, Stephen Hester, Linda Evans (Editor), Scarecrow Press, 1997 |
| Red Head: A Chronological Survey of “Red” Nichols and His Five Pennies , by Stephen M. Stroff, Scarecrow Press, 1996 |
Redhotjazz.com was a pioneering website during the "Information wants to be Free" era of the 1990s. In that spirit we are recovering the lost data from the now defunct site and sharing it with you.
Most of the music in the archive is in the form of MP3s hosted on Archive.org or the French servers of Jazz-on-line.com where this music is all in the public domain.
Files unavailable from those sources we host ourselves. They were made from original 78 RPM records in the hands of private collectors in the 1990s who contributed to the original redhotjazz.com. They were hosted as .ra files originally and we have converted them into the more modern MP3 format. They are of inferior quality to what is available commercially and are intended for reference purposes only. In some cases a Real Audio (.ra) file from Archive.org will download. Don't be scared! Those files will play in many music programs, but not Windows Media Player.
